Articles by 韩爽 - HAN Shuang

Studio 10 has designed a set of experimental water sports support buildings for Nerve Lab on Double Happiness Island in Zhangzhou, Fujian Province. The project is an integrated facility combining light cultural tourism, water sports, and community services, aiming to provide retail, casual dining, small-scale exhibitions, stepped public seating areas, and public restrooms for sports enthusiasts, visitors, and nearby residents.

As an installation for SUSAS 2025 (Shanghai Urban Space Art Season), this project is situated on Fuxing Island, Shanghai—once the former China Shipbuilding Factory, which relocated across the Huangpu River in the early 2000s. The client initially asked for an intervention to enhance the slipway’s exposed elevation. Yet on site we realized the slipway is more than a façade: it traces the site’s central axis and, more importantly, was the final stage where ships were assembled and launched. Rather than a surface upgrade, the project begins by activating a larger imagination embedded in the scale and memory of the place.

As one of the “largest railway transportation hubs in Asia,” Guangzhou Baiyun Station relies on its supporting station complex to realize the “Station-City Integration” model. The interior design of the East Plot Twin Towers takes the architectural and facade logic as its starting point, continuing the morphological language of “High Mountains and Flowing Water.” By extending the facade language to the interior scale, the design achieves systematic synergy between the architecture, facade, and interior spaces, facilitating the hub’s overall evolution from a mere transportation facility into a vibrant urban public activity space. Standing atop the super TOD hub of Guangzhou Baiyun Station, the twin towers on the East Plot are positioned as headquarters office buildings for unicorn enterprises in the Greater Bay Area. Our vision is not merely to build an office tower above a transportation hub, but to deliver a groundbreaking reinvention of the traditional transit-oriented office model—transforming it from a mere transportation adjunct into a dynamic urban node. Drawing inspiration from the architectural facade language of “High Mountains and Flowing Water,” the design allows natural forms and artistic conception to evolve and flourish within the interior spaces. This approach precisely addresses the deep-seated needs of emerging enterprises regarding spatial quality, talent attraction, and community connectivity. Ultimately, it creates a distinctive workplace that fosters connections with nature and culture, all within the context of an intensive and efficient transportation hub.

BAM’s design for the Baoshan Waste-to-Energy Center sets a transformative precedent for municipal solid waste (MSW) treatment facilities, reimagining them as multifunctional urban amenities. Through design experimentation, BAM encourages the perception of these facilities as integral components of the urban landscape rather than undesirable infrastructure.

BAM’s design for the Baoshan Waste-to-Energy Center sets a transformative precedent for municipal solid waste (MSW) treatment facilities, reimagining them as multifunctional urban amenities. Through design experimentation, BAM encourages the perception of these facilities as integral components of the urban landscape rather than undesirable infrastructure.

The town of Qingjiang lies between the northern foothills of the Yandang Mountains and Yueqing Bay, with the Furong Pond area at the heart of its regional ecological corridor. Against the backdrop of growing suburban agro-cultural tourism, the project centers on Furong Pond, establishing two key landscape nodes: one at the Ecological Island Wharf and the other at Qingyang Park on the opposite shore. By reviving a short-distance ferry route, the initiative aims to create a distinctive water-based ecological and cultural destination for Qingjiang.

Wujiang Wedding Hall is located on the northern side of the Chuihong Scenic Area in Wujiang District, Suzhou. Its cultural roots could be traced back to the Chuihong Bridge, originally built during the Northern Song Dynasty. Over the course of a millennium, the site has accumulated a series of significant cultural landmarks, including the ruins of Chuihong Bridge, Huayan Pagoda, and the Ji Cheng Memorial Hall. Together, these elements form a historic landscape shaped by the convergence of Taihu Lake and the Grand Canal, bearing witness to the layered transformations of Wujiang’s urban and cultural history. The original project site consisted of a two-story cafe and a gateball court located at the intersection of two streets, which had been vacant for many years. The renovation preserves the existing structural framework while introducing new functions such as a marriage registration office, community-oriented commercial spaces, and public activity areas. Through this transformation, the project seeks to weave together historical context and contemporary urban life.

Chongqing is a city shaped by the continuous interplay between mountains and water. Its complex topography overlaps with a dense infrastructural network, where elevated roads, steep terrain, and waterfronts together form a highly charged urban landscape. Located at the convergence of these conditions, the Luxi Lake Café is conceived as a small architectural insertion that responds to the relationships between urban infrastructure, natural geography, and everyday public life through a light and restrained spatial intervention.

The East Courtyard is located in Qidong, Jiangsu, near the city and facing the sea. Commissioned by children who work away from home year-round, Benzhe Architecture rebuilt this residence for their parents, who are over sixty. It uses modern design language to respond to new rural construction—preserving rural simplicity while improving the quality of living. Qidong is located on the north wing of the Yangtze River estuary, where the Yangtze unloads its last mouthful of sediment and turns to flow into the East China Sea. The original site was a typical fishing village homestead, surrounded by arrays of wind turbines and tidal flat landscapes.