Store

Meta is a system that works with repetition, assembly, and color. The goal is to achieve not only a memorable brand experience, but also the construction of a landscape that crosses from one store to another, in different locations, and generates a recognizable brand image using mechanisms of repetition and difference: same system, different color ranges. From the extrusion of the Munich logo – the X brand – a skin with hundreds of them is generated; an enveloping, hairy, and polychromatic space that also solves the product exhibition. The chosen colors extend in stripes that have continuity on the floor, walls, and ceiling and help to generate a volumetric experience of the space. The idea comes from a system that seeks the generation of a spatial identity exportable to different places. The image is undoubtedly a fundamental factor, but in this project it is not the starting point; the ease of adaptation, reproduction, and assembly become the engine of the project, pushing them to the limit and achieving that this assembly is reduced to a simple dry assembly operation through tongue and groove and modular panels.

The NARO boutique, conceived by the emerging studio Boo, is the result of transforming a tight space of 58m2 in the city of Medellin. This project not only fulfills the client’s desire to establish a distinctive identity but also symbolizes the artistic and exclusive essence of luxury products. Additionally, it presents an innovative and futuristic vision for the retail environment.

In the wake of the COVID-19 pandemic, the appreciation of wine has gained popularity, extending its appeal beyond dedicated enthusiasts to a wider audience. Winenara Seongsu aspires to transform into a wine culture hub, welcoming anyone with a passion for or interest in wine, irrespective of age. This evolution aligns with the shifting trends and dynamics of our time.

The Store was designed to highlight the beauty and perfection with which Lolitta’s clothes are made. We started with the idea of creating a space without excesses, where the clothes become the protagonist. For this purpose, the project is entirely done in a single color and the same tone of light, generating a certain sensation of virtual reality.

Acclaimed Lagos-based architecture practice Oshinowo Studio (formerly cmDesign Atelier) has designed sports and streetwear label adidas’s first West African flagship store in Lagos, Nigeria’s largest city. Located in the sought-after Victoria Island area, Oshinowo Studio won the project following a design competition held by ONL Estates with a brief to draw together Nigerian art, culture, and aesthetics with the global brand’s style and personality.

diagonal is a showroom located on the 4th floor of the Shinsegae Department Store in Busan, South Korea. The total space area is 65 sqm, designed by Oftn studio. Diagonal, which previously had a showroom in Hannam-dong, planned a new showroom in Busan to create a new mood space. 

URA means “ backside, opposite, behind, reverse ” in Japanese. Concept shop by fashion designer “Mihara Yasuhiro” dealing with products that take into account environmental and social responsibility from a multifaceted perspective. A quiet, narrow, semi-basement plot on a back street in Harajuku/Jingumae Tokyo.

The Galeries Lafayette department store building in Annecy is one of those unexpected, almost insolent pieces of architectural heritage within an otherwise relatively homogenous town, notable for its unique history. Designed in the 1970s, the building was erected on the site with no awareness of its surroundings, heedless to context, form, alignment, or density.

PULSE: Where minimalist design meets the energy of sportswear – PULSE is not just another store; it’s a space crafted with aesthetics and a deep understanding of materials. PULSE offers a new approach to how a sportswear store looks, feels, and functions.

The store features a retail space, a tattoo studio, and a secret garden. New Avgvst space is built around the concept of a “dark kitchen”: one that operates solely for delivery and takeaway orders, without a physical space for customers to dine in. There is a lot of manual labour and attention to detail, just like in making jewelry. Avgvst and Crosby see it as a wandering, nomadic shop put together from scratch, so the “upcycling” philosophy came naturally for the new space. Office blinds were repurposed as wall finishing materials, while foldable camping chairs and tables took place of “permanent” furniture, and restaurant equipment was transformed into display cases.