Installation

Artist Cheng Tsung FENG applies Taiwanese traditional fish traps as the theme of artwork. Invited hundreds of local in Taichung to workshops to learn weaving the art craft of the fish trap. With them hundreds of fish trap was made and hang bamboo sign with their wishes on it. People surround hand by hand unite together. Rewrite the precious art craft which is going to vanish into our memory and body.

The village that appeared and disappeared in the school grounds of a former elementary school like a mirage at the end of summer. The extemporaneous exhibition was created in the schoolyard of a former school, founded by the donations of local citizen’s, now used as an art center.

Inspired by the location of the gallery, near to the Greenwich Meridian marking time, “Slices of Time” expresses the past, the now and the future through 168,000 small numbers composing 120 “slices” of time, hanged in the space, as a round representation of the earth floating. Composed of 100 layers of numbers in 100 shades of colors and 20 layers of numbers in white, the installation visualizes the next 100 years to come (2020 to 2119) and the past 20 years (2000 to 2019) represented in white. “Slices of Time” is part of Emmanuelle’s “100 colors” installation series.

Echo: Acoustic phenomenon produced when a wave is reflected on a surface and returns to its emitter. system: (from Latin systēma, and this from Greek σύστημα sýstēma ‘meeting, set, aggregate’) Complex object whose parts or components relate to at least some of the other components. Eco-Sistema (echo-system) appears in the site as a structure that echoes the landscape and the community that gives life to it. It is an open and flexible system that, through a process of adaptation, spatially overlaps its structure with the existing forest to define a new reality together with it.

Chengdu Dachuan Lane, the west bank of Jinjiang River, the intersection of Dafuhe River and Nanhe River, a historical street linking Jinjiang Qingling Wharf and Chengdu East Gate City Wall Site, with a total length of more than 140 meters. Dachuan Lane before the renovation was a noisy and busy “courier street”. Due to its special history and geographic location, in the new round of urban renewal, Dachuan Lane has been given a new positioning and function-“urban art block”, which also created the block entrance art installation.

It’s Just a Matter of Time is the special proposal in the edition of ARCOmadrid 2020. The project analyses some of Felix Gonzalez-Torres’s influence on contemporary art practices.

Site status: public space and spiritual place of the old village. The project is in the old Hanhonggou Village, Qinyuan County, Shanxi Province, China. The village is located at the junction of the eastern suburbs of the county, 4 kilometers away from the county seat. The village was built in Hongwu Period of Ming Dynasty, named after a flood discharge ditch in the village. There are 138 households in the village, with a population of 488. At present, most of the population in the old village has moved to live in the new village, and only four residents in the old village live there.

The TOTEMS OF THE CENTRO were born in a collaborative architecture residency proposed as a transversal program whose purpose was to analyze and rethink new solutions, both theoretical and practical, for the Centro Huarte and its surroundings.

Longquan, located in Lishui of southwest of Zhejiang, is famous for firing celadon. “Kilns are all over along Oujiang River, that fires can be seen across the river”.

On the one hand, ebb (and flow) refers to a formal literalism; the structure literally flows around the desert. However, ebb (and flow) also refers to a mindset: the conscious movement and engagement with the world around us. In this sense, the project aims to break down existing barriers between our existing and constructed realities: architecture, nature, and art. Plants are an extension of the ground; architecture is an extension of people; everything is an extension of nature.