Not having a defined program our main challenge was to design a space that was able to accommodate different types of programs and that could easily adapt to each one of them. We were interested in the analogy with an art gallery, in which exhibitions are in constant change and transformation.
Not having a defined program our main challenge was to design a space that was able to accommodate different types of programs and that could easily adapt to each one of them. We were interested in the analogy with an art gallery, in which exhibitions are in constant change and transformation.
The greenhouses of western Almeria extend to almost touch the sea in the Port of Roquetas. To the east, Cabo de Gata serves as a backdrop to a rich landscape of boats that reminds us of the importance of the sea in the history of this land. This project aims to mediate between both worlds, greenhouses, and boats.
Located in the IV Region of Chile, at beginning of the Atacama Desert, this house was designed to bring together several members of an extended family.
Casa Mateo is located at one of the highest points of the Punta Garrobo development in Zihuatanejo. The east and west views towards the Pacific Ocean and the cliffs within the jungle landscape are maximized to generate an integration of the house with its environment.
Within a gated community in the northeast of the province of Buenos Aires, Argentina, a plot of rectangular proportion is presented in relation to a heterogeneous built environment.
The M 5606 building questioned us about the possible ways of approaching our design practice. The proposal recognizes the temporal and spatial instances inherent to the project, based on the recognition of the categories of contextualization (between insertion and implementation), configuration (between a material object and the system), and disposition (between what is determined and the indeterminate).
The M 5606 building questioned us about the possible ways of approaching our design practice. The proposal recognizes the temporal and spatial instances inherent to the project, based on the recognition of the categories of contextualization (between insertion and implementation), configuration (between a material object and the system), and disposition (between what is determined and the indeterminate).
The M 5606 building questioned us about the possible ways of approaching our design practice. The proposal recognizes the temporal and spatial instances inherent to the project, based on the recognition of the categories of contextualization (between insertion and implementation), configuration (between a material object and the system), and disposition (between what is determined and the indeterminate).
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