Articles by Andreea Cutieru

The 17th Venice Architecture Biennale is currently unfolding, revealing a wide range of answers to the question “How will we live together”. With 60 national pavilions, numerous contributions of invited architects from all around the world and several collateral events, this year’s edition restates the Biennale’s role as a platform for inquiry, exploration, and disruptive thinking in architecture. Curator Hashim Sarkis’ original statement called upon architects “to imagine spaces in which we can generously live together.” Recent circumstances have made the question even more relevant, prompting a holistic re-evaluation of how the world as a collective can face changes and challenges of an unprecedented scale from the disrupting role of technology, to inequality, mass migration and climate change. The following national contributions reflect on “how will we live together” amidst climate change, exploring ideas for a more sustainable future.

Cobe’s winning design for the new library of the University of Gothenburg proposes a light, clean volume, whose slightly curved facades are a nod to the pages of an open book. The Danish architecture studio translates the concept of knowledge as the heart of a library into the interior spatial configuration of the project, while the architectural image evokes the idea of a lighthouse. Featuring a transparent and open ground floor, the new repository of knowledge creates a strong connection with the surrounding park, becoming a mediator between the city and the university.

After several postponements and numerous challenges, the 17th Venice Architecture Biennale is finally taking place, bringing into focus a diverse array of answers to the question “How will we live together”. The theme gained even more relevance in the context of the pandemic and this year’s edition restates the importance of the Biennale as a platform for inquiry and collective exploration. Archdaily had the opportunity to meet in Venice with the curator of the French Pavilion, architect Christophe Hutin to discuss the thinking behind “Communities at Work” and the immersive experience of the exhibition.

Catering to the Danish capital’s aspirations regarding infrastructure and green space, the new IKEA store in Copenhagen designed by architecture studio Dorte Mandrup features a richly plated rooftop park that doubles as a new pedestrian route stretching one kilometre within Vesterbro neighbourhood. Located in one of the city’s busiest area, neighbouring the central station, the historic Meatpacking District, and the inner-city harbour, the project’s elevated public space offers a respite from the bustling streets, providing the area with a much needed green space.

Scottish architecture firm Kettle Collective has revealed plans for a 703-metre skyscraper in St. Petersburg, making it the second tallest building in the world after Dubai’s Burj Khalifa. The Lakhta Centre II will have the highest occupied floor, and while the exact site is yet to be confirmed, it will sit alongside Lakhta Centre, currently the tallest building in Europe and the headquarters of energy firm Gazprom.

Last week, Apple opened its largest store in Europe, housed inside Rome’s 19th century Palazzo Marignoli. Designed by Foster+Partners, Apple Via del Corso celebrates the historic building by revealing its 1890s murals, frescos, and graffiti works from the 1950s, hidden from view for decades. The project creates a juxtaposition between the historical layers, the artwork and the signature minimalist aesthetic of Apple stores.

The City Council of San Jose recently approved Google’s “Downtown West” mixed-use corporate campus, an 80-acre net-zero environment, also set to feature the largest multimodal transit hub on the west coast. A departure from the tech campuses of Silicon Valley, the masterplan designed by San Francisco-based SITELAB urban studio is envisioned as an integrated part of the urban environment, an extension of Downtown San Jose open to the local community.

Within an increasingly specialized environment, architecture is becoming a collective endeavour at every stage of the design process, and social sciences have acquired an important role. As architecture has become more aware of its social outcome, decisions formerly resulted from the speculative thinking of the architect are now backed up by professional expertise. The following discusses the increasing role of humanist professions such as anthropology, psychology, or futurology within architecture.

The 17th Venice Architecture Biennale debuted last week, showcasing a diverse and inspiring array of possible answers to the question “How will we live together”. Despite the many hurdles inflicted by the pandemic, this year’s edition of the event broadens the scope and reach of the Biennale, restating its role as a platform for inquiry, exploration, and disruptive thinking in architecture. Archdaily had the opportunity to meet in Venice with one of the co-curators of the US Pavilion, architect, author, and University of Illinois professor Paul Andersen, to discuss the idea behind the Pavilion and how it reflects the overarching theme of the Biennale.

Earlier this month, New York City Mayor Bill de Blasio announced the launch of the Open Boulevards program, an initiative that would temporarily close off car traffic on boulevard segments across several blocks, expanding the public space for dining, cultural activities and artistic performances. The project builds on the successful initiatives Open streets and Open Restaurants, which transformed the city’s streetscape to better serve diners, cyclists and pedestrians amidst the pandemic.