Articles by Andreea Cutieru

The 17th Venice Architecture Biennale is currently unfolding, and its 60 national pavilions reveal a wide range of answers to the question “How will we live together”. This year’s edition restates the Biennale’s role as a platform for inquiry, prompting a collective re-evaluation of pressing issues such as migration, inequality, climate change or the role of technology. While in Venice, Archdaily met virtually within the Korean pavilion with curator Hae-Won Shin, as the pandemic prevented the exhibition’s creators to be present at the Biennale. The conversation explored the thinking behind “Future School” and how it creates a framework for collective learning and exploration.

Tadao Ando’s transformation of the historic Bourse de Commerce interweaves past and present, introducing the minimalist aesthetic of a contemporary art venue within the prestigious heritage building whose history spans four decades. The defining architectural gesture in the building’s refurbishment is a circular concrete wall, a new space within the glass-domed rotunda of the former exchange building, which now displays the private collection of notable art collector François Pinault. Images by photographer Cyrille Weiner and photography atelier Think Utopia highlight Tadao Ando’s vision of “architecture within architecture”, showcasing an exemplary restoration accompanied by a highly contemporary yet timeless intervention.

Büro Ole Scheeren’ DUO Twin Towers project has been awarded CTBUH’s 2021 Urban Habitat Award, which acknowledges the design’s significant contribution to its urban context. Completed in 2018, the project restructures a previously disjointed and neglected part of Singapore, creating a dynamic place that enables social interaction. The award confirms the studio’s socially and environmentally responsible approach to design. New footage by photographer Iwan Baan captures the DUO’s silhouette and elevated landscape, hinting at the project’s careful consideration of its urban and civic context.

For several years, the construction sector has been facing a labour shortage, generating a growing interest in automation. The health crisis has only exacerbated the trend, prompting automation companies to turn their focus from car manufacturing to the construction industry, for which automation is expected to grow up to 30% within the next few years. The following explores present capabilities and future possibilities of automation within the construction process, its integration within the mainstream practice and the impact on design.

With its Shenzen project, design firm Morphosis reimagines the skyscraper typology, maximizing the flexibility of the floor plan through a detached-core scheme that shifts circulation, services and amenities to the building’s exterior. Using a pioneering structural system, the project’s spatial configuration diversifies the interiors’ functional possibilities while reshaping the circulation routes within the building, with glass sky-bridges and large-scale steel braces knitting the core to the tower’s main body. Completed in 2018 with a gradual opening that continues into 2021, the 359.8-metre tower is currently the tallest detached-core building in the world.

Barcelona-based studio Barozzi Veiga has completed its first UK project, which will house Ravensbourne University’s Institute for Creativity and Technology. The building, whose interiors are designed by Brinkworth, is also the first to be completed within the Design District, London’s new purpose-built creative hub at the heart of the Greenwich Peninsula. Featuring a polished aluminium-clad façade that reflects the neighbouring buildings, the design engages with the surrounding context, while also referencing the area’s industrial past.

The 17th Venice Architecture Biennale invited architects to ponder the question “How will we live together”, eliciting a variety of answers, readings and interpretations. The International Exhibition unfolding in Giardini, the Arsenale and Forte Maghera presents 112 participants in the competition, coming from 46 countries, whose contributions are organized into five scales: Among Diverse Beings, As New Households, As Emerging Communities, Across Borders, and As One Planet. Answering “How will we live together as a community? “ is Chilean office ELEMENTAL and Archdaily met in Venice with Alejandro Aravena to discuss the idea behind the project KOYAÜWE, which creates a space that recovers the tradition of parleys, as a means to address the historical Chilean-Mapuche conflict.

The 17th Venice Architecture Biennale invited architects to ponder the question “How will we live together”, eliciting a variety of answers, readings and interpretations. The International Exhibition unfolding in Giardini, the Arsenale and Forte Maghera presents 112 participants in the competition, coming from 46 countries, whose contributions are organized into five scales: Among Diverse Beings, As New Households, As Emerging Communities, Across Borders, and As One Planet. Answering “How will we live together as a community? “ is Chilean office ELEMENTAL and Archdaily met in Venice with Alejandro Aravena to discuss the idea behind the project KOYAÜWE, which creates a space that recovers the tradition of parleys, as a means to address the historical Chilean-Mapuche conflict.

After completing One Vanderbilt, the tallest office building in New York, Kohn Pedersen Fox Associates has unveiled plans for a new skyscraper in Midtown Manhattan. The 320-metre high office tower at 343 Madison Avenue makes the most out of its relatively small plot and the silhouette mandated by the New York City zoning laws, featuring a series of receding volumes that leave a way to gardens and terraces at different levels. When completed, the project will also create an important new transit entrance to the Long Island Rail Road and the Grand Central Complex.

Construction work began for Herzog & de Meuron’s transformation of a former power plant building in San Fransico into a mixed-use project. Designed in collaboration with California-based practice Adamson Associates, the adaptive reuse of iconic Station A is part of the Portrero Power Station project, the redevelopment of a 29-acre industrial site into an extension of the Dogpatch neighbourhood. Herzog & de Meuron’s design retains and repurposes various features of the industrial building while adding a lightweight, steel-framed structure on top, thus giving new life to one of San Francisco’s landmarks.