Articles by AD Editorial Team

Following an open competition, the Australian Institute of Architects have announced “repair“ as the theme of the Australian Pavilion at the 2018 Venice Architecture Biennale. Baracco+Wright Architects, collaborating with artist Linda Tegg, will oversee the cultivation of “thousands of temperate grassland species” within the pavilion, alongside “large-scale architectural projections.” According to the AIA, “visitors will enter a physical dialogue between architecture and endangered plant community, reminding us what is at stake when we occupy land.”

Following an open competition, the Australian Institute of Architects have announced “repair“ as the theme of the Australian Pavilion at the 2018 Venice Architecture Biennale. Baracco+Wright Architects, collaborating with artist Linda Tegg, will oversee the cultivation of “thousands of temperate grassland species” within the pavilion, alongside “large-scale architectural projections.” According to the AIA, “visitors will enter a physical dialogue between architecture and endangered plant community, reminding us what is at stake when we occupy land.”

Following an open competition, the Estonian Architecture Center have announced “Weak Monument” as the theme of the Estonian Pavilion at the 2018 Venice Architecture Biennale. Laura Linsi, Roland Reemaa, and Tadeáš Říha will develop a project which views the “architectural environment as a layered and historically continuous system,” focusing the exhibition on “projects from the recent and more distant past.”

Constructed as part of Agrikultura—a triennial of public artworks and urban interventions in Malmö, Sweden—this installation, described by the designers a “maquette of a monument to the honeybee”, is in fact home to an entire colony. It references—by design—the mysterious elements of ‘bee orientation’: verticality (gravity), geometry (the cell structure of the beehive), and the position of the sun relative to the hive. The project is, on the one hand, “a potential memorial for the bees” while, on the other, “a celebration of the sun on which all life depends.”

The International VELUX Award 2018 for Students of Architecture challenges students of architecture all over the world to explore the theme of daylight and consider its role in our lives as an ever-relevant source of light, life and energy in buildings – and as an important discipline in architecture. Students can register from 1 September 2017 to 1 April 2018 and submit their daylight projects before 15 June 2018.

The International VELUX Award 2018 for Students of Architecture challenges students of architecture all over the world to explore the theme of daylight and consider its role in our lives as an ever-relevant source of light, life and energy in buildings – and as an important discipline in architecture. Students can register from 1 September 2017 to 1 April 2018 and submit their daylight projects before 15 June 2018.

Developed by researchers and students from the Faculty of Architecture at HKU and Sino Group, the ‘Ceramic Constellation Pavilion’ is built on a wooden structure that supports a series of “walls” formed by about 2,000 clay bricks. Each of these individual components is unique and has been manufactured using robotic technology and 3D printing, allowing to generate different types of transparency and opacity in their different faces. 

Developer Strategic Property Partners has announced plans for a new $3 billion 50-acre mixed-use neighborhood in Tampa, Florida. To be known as Water Street Tampa, the multi-phase project will create 9 million square feet of commercial, residential, educational, cultural and entertainment space on a site currently underused and occupied by highways and surface parking.

When it comes to forms of architectural representation, there is no method more expressive or foundational than the drawing. The series of decisions—drawing utensil, paper type, line style, hand versus digital—combined with the choices of what an architect includes (or excludes) in their drawings reveal the true intentions behind the design of a project in perhaps the noblest and purest fashion.

In previous years, we’ve published round-ups of our favorite images from our database of selected projects (which we will do again this winter!), but this year, we wanted to do something a little different to engage with our community: we asked our readers to submit their own best drawings. The response was overwhelming – we received more than 1200 drawings from our network of readers across the globe, ranging from atmospheric perspectives to interpretive sketches to highly-technical sections.

From those submissions, the ArchDaily team has selected 80 of our favorites, organized into 7 categories: Visualizations, Axonometric – Isometric, Sections, Collages, Context, Sketches and Plans.

Check them out, below.

When it comes to forms of architectural representation, there is no method more expressive or foundational than the drawing. The series of decisions—drawing utensil, paper type, line style, hand versus digital—combined with the choices of what an architect includes (or excludes) in their drawings reveal the true intentions behind the design of a project in perhaps the noblest and purest fashion.

In previous years, we’ve published round-ups of our favorite images from our database of selected projects (which we will do again this winter!), but this year, we wanted to do something a little different to engage with our community: we asked our readers to submit their own best drawings. The response was overwhelming – we received more than 1200 drawings from our network of readers across the globe, ranging from atmospheric perspectives to interpretive sketches to highly-technical sections.

From those submissions, the ArchDaily team has selected 80 of our favorites, organized into 7 categories: Visualizations, Axonometric – Isometric, Sections, Collages, Context, Sketches and Plans.

Check them out, below.