Month: July 2023

While visiting this year’s Serpentine Pavilion, the ArchDaily team has a change to sit down with French-Lebanese architect Lina Ghotmeh, the designer behind the temporary structure built in the Kensington Gardens in London. The conversation touched upon Ghotmeh’s motivations and concepts that prompted this pavilion titled À table, conceived as an invitation to sit down together at a table, to enjoy sharing food and engaging in open dialogues. Delving into her Lebanese roots, the architect also expands on her methodology and the desire to create space for conversation and decision-making while encouraging conviviality among people of different backgrounds and experiences.

In 2021, the architectural practice at large started to transform; people “no longer felt the need to stick to the traditional way of doing things when it came to matters related to the work environment”. Employees all over the industry have spoken up in recent years and have considered the solution of unionizing. In May of 2023, the employees of the renowned New York office Snøhetta announced a bid to unionize the studio, the second private-sector architecture studio in the United States to take this step. This week, it was declared that the workers voted against unionizing.

The Triennale Milano and Fondation Cartier pour l’art contemporain present the exhibition Siamo Foresta, inaugurated in June and open until October 29, 2023. Curated by Bruce Albert and Hervé Chandès, the exhibition features works by 27 artists from different countries and cultures, mainly from Latin America and indigenous communities.

Essentially beginning as a way to use old offcuts of natural stone materials such as marble, quartz, and granite, the 600-year-old technique of creating terrazzo surfaces is enjoying a particularly strong moment in today’s reuse culture. But sustainability isn’t the only calling card Terrazzo has.

Michael Rotondi’s buildings—museums, civic centers, education facilities, monasteries, restaurants, and residences—evoke kinetic mechanisms that fold, hinge, twist, and split open. They express the architect’s feelings, thinking, and mood at the time they had been designed, and, on some occasions, during their assembly and construction. Rotondi was born in 1949 in Los Angeles.

The inspiration from traditional felt tent
The grassland gave birth to nomads, who successively took huts, tents and felt tents as their living places. All of them are movable and inclusive. The yurt, as a type of traditional felt tent, is a living building grown in the soil of nomadic culture. In the long river of history, yurts and nomads have been surviving together and adjusted to each other. Yurts is a creation that has been tested by time. The nomadic spirit and wisdom contained in it constantly provide reference and inspiration for modern life and residential space.

It is a private residence located in a dense residential area in Tokyo. Like camping in the city, the home is designed for the owner to enjoy the everyday life of inviting friends over and unwinding in his own space. The adaptiveness of the home and its functions are reflective of the owner’s nomadic lifestyle.