Month: February 2023

The Brick Award is an internationally established award that presents outstanding brick architecture from all around the world. Independent architecture critics, experts, architects and developers are invited to submit innovative and creative buildings and other construction works made of clay building materials. The spectrum of applications ranges from building solutions using classic clay blocks, facing bricks and roof tiles to the creative application of clay pavers and ceramic façade panels.

A project of a religious nature regularly seeks an intimate spiritual connection, if it is an individual user; and in the case of a community, the functions focus on commemorating a celebration. This common operation requires creating a versatile and almost plastically simple concept; in which the leading role lies in its users and that being or image of the connection. The connection between a user towards this superior being is regularly based on vertical orientation and it is here where the layout of the project meets these objectives.

Sir David Adjaye unveils new plans for the new Bedford Stuyvesant Restoration Corporation in Central Brooklyn. This center is the first-ever community development institution in the country, established in 1967. The scheme envisions a space that accelerates wealth creation and closes the racial wealth gap that has affected the United States.

In tropical countries like Brazil, external areas are highly valued in residential projects. The backyards are used differently and configured according to the architectural project. Whether large or small, landscaped, with a pool, or equipped with other features, Brazilian families seek to make the most of their outdoor areas when possible.

Every year in Mexico City, during the month of February, “Art Week” is celebrated with a series of events that seek to offer experiences in different spaces, mostly museums, cultural centers, or art galleries that join the cultural agenda. This event is important because both the city and these venues become the stage for different contemporary artists who come together to exhibit their work and enrich the dialogue around today’s art. It is also a tourist destination that attracts collectors from all over the world.

Ceilings were once a symbol of grandeur and opulence, adorning grand buildings, churches and palaces with their intricate and elaborate designs. We still find ourselves looking up in awe at these mesmerizing historical buildings, with our eyes drawn to their magnificent vaulted ceilings, remarkable truss structures or distinctive works of art depicting mythology, historical events and landscapes. Contemporary design, on the other hand, has shifted towards a sleek, minimalistic aesthetic; one where plain white ceilings have become the norm in most modern buildings. As Rasmus Wærn and Gert Wingårdh suggest in their book What is Architecture? And 100 Other Questions, “Ceilings have devolved from being the focal point of a room to being a zone for mechanical equipment.” And yet they have extraordinary creative potential.

Ceilings were once a symbol of grandeur and opulence, adorning grand buildings, churches and palaces with their intricate and elaborate designs. We still find ourselves looking up in awe at these mesmerizing historical buildings, with our eyes drawn to their magnificent vaulted ceilings, remarkable truss structures or distinctive works of art depicting mythology, historical events and landscapes. Contemporary design, on the other hand, has shifted towards a sleek, minimalistic aesthetic; one where plain white ceilings have become the norm in most modern buildings. As Rasmus Wærn and Gert Wingårdh suggest in their book What is Architecture? And 100 Other Questions, “Ceilings have devolved from being the focal point of a room to being a zone for mechanical equipment.” And yet they have extraordinary creative potential.