Casa Santísimo / JJRR/Arquitectura + AREA
It is an intervention and extension of a house in the residential area of San Angel at south of Mexico City.
It is an intervention and extension of a house in the residential area of San Angel at south of Mexico City.
There was an original project, which was built up to a structural level. It was kept like that, unfinished, as many others. The pre-existence was a very powerful mass of reinforced concrete, characterized by the two facades of the first floor that, acting as beams of great edge, support a generous projection of more than 6 meters. It is also noteworthy the sunken courtyards, which allow the total occupation of the basement, so that much of the living area of the house remains hidden under the ground. On the street level, the aim was to read the completed work as an intersection or twin of two different volumes, with different finishing, on which the lighting holes of the house were punctually drilled.
The project aims the rehabilitation of the old Sant Sadurni d’Anoia’s modernist schools in order to host a cultural center with library and archive. The historic building is located on a rectangular plot bounded by four streets. The historic building is located in the western part of the plot, and develops in the form of an U, a frequent school typology of the early twentieth century, around a courtyard, that stretches eastward. The proposed program surpassed the constructed surface of the historic building and obliged to propose an extension with a new body occupying the old school courtyard.
This is a renewal project bearing the aesthetics of the old Taiwanese era, in the form of a corner building in a quiet community. We did our best in preserving the old tiles, fine stone finishing and window grille that have marked the era this building has been through.
Through UCL’s masterplan, Levitt Bernstein identified an opportunity to create a new courtyard terrace above an existing service yard. As well as providing a high-quality outdoor space for staff and students, this opens up a new east-west route to improve accessibility across campus. The existing service yard had become unsightly but was overlooked by a number of important university buildings. The challenge was to connect these disparate elements with one cohesive design – all the more problematic considering the Wilkins Building is Grade I listed.
New vs. Old
Every so often we meet a client who is faced with the decision to buy a new property that might be out of his budget or buy something already built and recondition it. Our advice always stands out the second option. We believe that is better to take advantage of an existing building and with doing so strengthen the city as it, the challenge is visualize the possibilities.
MUTT’s creative relationship with Universal Works began in the bar of a London hotel, on a cold December day, with a question: how does an approach to clothing translate into an approach to architecture? As customers of theirs, we already had an understanding and appreciation of the brand – its context, the craft at the heart of it, and the people behind it. Through close discussion with David, Stephanie, and the wider Universal Works family we developed an architectural approach based on these three facets of their ethos to be used in the design of their new stores. 26 Berwick Street is the first fruit of this collaboration and new found friendship. A flagship store at Coal Drops Yard will follow it in October.
This project is about the reinvention of a historic stone building in Sicily, which has been transformed into a small but inventive family house with potential to expand in the future.
Located at No.1 Hunan road, the junction of Hunan road and Zhongyang Road, the Nanjing PHOENIX PLAZA is adjacent to Xuanwu Lake on the east and Xuanwumen Station of Metro Line 1 underground.
Introduction
This project is the interior design of a boutique for a new Japanese cosmetic brand. An old 18th century building in the center of Paris was chosen as first shop. This brand sells around 100 types of cosmetic essence products and each customer can create an original product by mixing products. The name of the brand “en” literally means “Beauty” in Japanese.
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