cinema

At the heart of Prayssac, in the Lot region of France, the transformation of the Louis Malle Cinema positions culture as a driver of social connection and the revitalization of the town center, balancing architectural heritage with contemporary design.

At the heart of Prayssac, in the Lot region of France, the transformation of the Louis Malle Cinema positions culture as a driver of social connection and the revitalization of the town center, balancing architectural heritage with contemporary design.

Haikou is an island in China, it’s situated on the north coast of Hainan Island, and the South China Sea is around the island. We wanted to create something related to the ocean because Haikou is surrounded by the ocean, but we wanted to create something unique and we didn’t want to use the color blue like the ocean, so we decided to use the brick material for the theme of our design. Because bricks are made of sand which lay on the beach. Looking at this, you can perfectly build a story in your mind. This is timeless, just as bricks can be used to create beautiful and durable spaces that can’t be worn down and improved as they blow out their birthday cake.

Cinemateket in Oslo is a movie theatre for classic and alternative contemporary films. The design of Cinemateket is a tribute to the good old-fashioned cinema experience, while at the same time acknowledging the movie theatre setting within a robust 1940s concrete warehouse. The material palette of oak timber, powder-coated aluminum, and glass, creates a visual dialogue with the exposed rough concrete construction of the old building. The project’s ambition is to bring back the feeling of expectation when you are going out to watch a movie.

Through a complete reconstruction, the dilapidated former open-air cinema with a huge capacity of 800 seats, was transformed into a functioning complex with a more sustainable capacity of 350. The shrinking of the grounds also allowed the creation of much-needed buffer areas between residential buildings and the cinema grounds, with the implementation of acoustic measures, and lastly the creation of a new connection between the surrounding residential complex and the nearby town center via Štěpánka’s Park.

Brea de Aragón is a city that represents the so-called “empty Spain.” The population of Spain is fundamentally concentrated on the coast and in some inland cities such as the capital Madrid and Zaragoza, leaving enormous extensions between these areas with the lowest population density in Europe.

Brea de Aragón is a city that represents the so-called “empty Spain.” The population of Spain is fundamentally concentrated on the coast and in some inland cities such as the capital Madrid and Zaragoza, leaving enormous extensions between these areas with the lowest population density in Europe.

RISE Design Studio has completed the refurbishment and extension of London’s only social enterprise cinema, The Lexi, in Kensal Rise. A treasured asset within the local community, The Lexi Cinema tasked RISE Design Studio with revitalizing a 99-square meter parcel of vacant land in the rear car park of the existing Edwardian gabled brick theatre. Used as a makeshift bar by locals, RISE Design Studio and The Lexi team consulted Brent Council who advised the initial concept, a formal beer garden, would not be possible due to noise constraints but an enclosed second screen might be feasible.

RISE Design Studio has completed the refurbishment and extension of London’s only social enterprise cinema, The Lexi, in Kensal Rise. A treasured asset within the local community, The Lexi Cinema tasked RISE Design Studio with revitalizing a 99-square meter parcel of vacant land in the rear car park of the existing Edwardian gabled brick theatre. Used as a makeshift bar by locals, RISE Design Studio and The Lexi team consulted Brent Council who advised the initial concept, a formal beer garden, would not be possible due to noise constraints but an enclosed second screen might be feasible.

Camden’s new cinema represents the adaptation and renewal of the once industrial infill lining its viaducts. The ambition for our second Curzon location sought to retain as much of the landlord’s pre-existing shell as possible, re-purposing the building fabric installed as part of the larger Hawley Wharf regeneration. Working with the inherited materials, we inserted new architectural elements with their own language which now define the public spaces of the cinema.