Architecture

Traditional Ukrainian vernacular architecture evolved through simple yet expressive solutions: thick whitewashed walls, thatched roofs, and regular plastering as an act of care and an aspiration toward order and beauty. In YOD Group’s contemporary interpretation of traditional Ukrainian Hata-Mazanka, this pursuit of light and cleanliness is translated into fully transparent glass façades, while the roof – deliberately oversized – becomes the project’s primary architectural gesture. Its sculptural form defines a strong, instantly recognisable silhouette, evoking both a traditional tall hat and an oversized mushroom rising from the landscape.

World Monuments Fund (WMF) is an independent organization dedicated to safeguarding treasured places around the world that enrich lives and foster mutual understanding across cultures and communities. On February 10, WMF announced a $7 million commitment to support 21 heritage preservation projects launching in 2026. These investments advance work at sites included on the 2025 World Monuments Watch, WMF’s nomination-based advocacy program, while also supporting new phases of conservation, planning, and training at additional heritage sites across five continents. The selected sites reflect a wide chronological and geographic range, from ancient cultural landscapes to modern architectural landmarks. The projects highlight the diversity of global heritage, spanning Mughal gardens and Ottoman religious complexes to modernist cinemas, industrial mining landscapes, Indigenous cultural routes, and sacred shrines, and point to the long-term cultural knowledge embedded in its preservation.

In the coastal and jungle regions of Costa Rica, high humidity and intense solar radiation dictate an architectural strategy centered on permeability rather than enclosure. Unlike the airtight envelopes required in cold climates to retain heat, Costa Rican architecture uses the building envelope as a climatic filter to maximize air exchange. The primary mechanism for managing these thermal gradients seems to be the oversized roof overhang. By extending the roof plane significantly beyond the floor plate, architects create a permanent buffer of deep shade that reduces solar gain and lowers the ambient temperature before air enters the structure. This strategy, combined with permeable or non-existent walls, allows for constant airflow. This is a critical technical requirement for humidity control and the prevention of material degradation through mold and rot.

This project is a hall set quietly within the forest of Karuizawa, a renowned summer retreat. The facility is the result of a project that has been cultivated collaboratively with the client and contractor over a period of approximately ten years.

the structure reflects on the prehistoric civilization embedded within the syracusa–pantalica UNESCO world heritage landscape.

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Can a house feel as if it has always been there? At the end of the open fields, between the trees, under the blue skies, built out of the earth. Can a house be like a verse, a philosophy, a way of life— of lyrical moments, poetic narratives, sensory experiences?

What if industrial leftovers weren’t waste, but the start of architectural design? At Rieder’s headquarters in Maishofen, Austria, over 1,300 cubic meters of timber, 180 ceiling elements, and hundreds of upcycled glassfiber-reinforced concrete fragments come together in a building shaped as much by reuse as by planning. The new production hall, designed by Kessler² Architecture, treats material leftovers as a design resource. Developed as part of a long-term investment in sustainable manufacturing, the timber-concrete hybrid building introduces a facade technique that inverts conventional architectural workflows: instead of designing first and producing components afterward, the building envelope is generated from the material remnants already available on site establishing a new language for industrial architecture

Rumah Tahu is a residential project located in Sumedang, Indonesia, designed for a single-family spanning two generations: an architect and his wife, and his parents. Rather than separating the household into independent buildings, the project is conceived as one architectural entity composed of two interrelated dwellings—the South Dwelling and the North Dwelling. This approach positions family relationships as the primary driver of spatial organization, rather than merely a programmatic outcome.