Articles by Rory Stott

Chinese architect Zhang Ke, the founder of the firm standardarchitecture, has been awarded the 2017 Alvar Aalto Medal. Presented by the Museum of Finnish Architecture, the Finnish Association of Architects SAFA, the Architectural Society, the Alvar Aalto Foundation and the City of Helsinki, the medal recognizes an architect who, in the words of the Museum of Finnish Architecture, is “exceptionally accomplished in the field of creative architecture and has carried on Aalto’s legacy of sustainable, humane design.”

Chinese architect Zhang Ke, the founder of the firm standardarchitecture, has been awarded the 2017 Alvar Aalto Medal. Presented by the Museum of Finnish Architecture, the Finnish Association of Architects SAFA, the Architectural Society, the Alvar Aalto Foundation and the City of Helsinki, the medal recognizes an architect who, in the words of the Museum of Finnish Architecture, is “exceptionally accomplished in the field of creative architecture and has carried on Aalto’s legacy of sustainable, humane design.”

Andrés Duany (born September 7, 1949) is a founding partner of Miami firms Arquitectonica and Duany Plater-Zyberk & Company, and a co-founder of the Congress for New Urbanism. As an advocate of New Urbanism, since the 1980s Duany has been instrumental creating a renewed focus on walkable, mixed-use neighborhoods, in reaction against the sprawling, car-centric modernist urbanism of the previous decades.

If you follow MAD Architects on social media, the chances are good that in recent months you’ve seen a number of updates regarding their Chaoyang Park Plaza project in Beijing. Located at the southern edge of the largest park in Beijing, the project comprises a complex of 5 buildings, including a pair of asymmetric towers that reach 120 meters tall. Now, with the building almost complete, photographer Khoo Guo Jie of Studio Periphery has provided us with this sneak peek of the project.

Known as Chicago‘s “Father of Skyscrapers,” Louis Sullivan (September 3, 1856 – April 14, 1924) foreshadowed modernism with his famous phrase “form follows function.” Sullivan was an architectural prodigy even as a young man, graduating high school and beginning his studies at MIT when he was just 16. After just a year of study he dropped out of MIT, and by the time he was just 24 he had joined forces with Dankmar Adler as a full partner of Adler and Sullivan.

Known as Chicago‘s “Father of Skyscrapers,” Louis Sullivan (September 3, 1856 – April 14, 1924) foreshadowed modernism with his famous phrase “form follows function.” Sullivan was an architectural prodigy even as a young man, graduating high school and beginning his studies at MIT when he was just 16. After just a year of study he dropped out of MIT, and by the time he was just 24 he had joined forces with Dankmar Adler as a full partner of Adler and Sullivan.

Completed in 2013 on the western coast of Bornholm—a small Danish island located south of Sweden—the Hasle Harbour Bath by White Arkitekter is one of a number of waterfront bathing facilities appearing in Denmark. Structures such as the Hasle Harbour Bath, the Kastrup Sea Bath, also by White Arkitekter, and the Copenhagen Harbour Bath by BIG + JDS, evoke images of a bracing coexistence with natural elements. If hygge, the Danish art of cosiness, has been one of the country’s most successful cultural exports in recent years, the idea of a refreshing dip in the Baltic Sea offers a counterpart—a ying to hygge’s yang.

The winner of the Wolf Prize in 2005 and the Pritzker of 2008, French architect Jean Nouvel has attempted to design each of his projects without any preconceived notions. The result is a variety of projects that, while strikingly different, always demonstrate a delicate play with light and shadow as well as a harmonious balance with their surroundings. It was this diverse approach that led the Pritzker Prize Jury in their citation to characterize Nouvel as primarily “courageous” in his “pursuit of new ideas and his challenge of accepted norms in order to stretch the boundaries of the field.”

In the past decade or so, smartphones and social media apps have revolutionized our culture’s relationship to images. From Instagram to Facebook to Pinterest to Youtube, photographs and videos are now so ubiquitous that they have become literally disposable, with apps such as Snapchat trading on their promise to delete your images after a certain period of time. But while smartphones are a very visible driver of this change, what is often forgotten are the huge developments in image-editing software that have supported this revolution—from the HDR built into your smartphone’s camera to the wide range of filters provided by Instagram.

It’s always fascinating when architecture breaks the bounds of the profession and becomes a topic of debate in the wider profession. Fortunately, thanks to the internet, there is no shortage of such occasions: whether it’s the click-seeking cluster of articles that found a client for an improbable cliff-hanging design or the forums that suddenly decided that most modern architecture looks “evil,” the viral trend treadmill ensures that there are plenty of opportunities for the layperson to offer their two cents on the output of our profession.