Articles by Romullo Baratto

Few places in the world have so many cultural and artistic facilities as the islands of Naoshima, Teshima, and Inujima, in Japan’s Seto Inland Sea. Eighteen museums, galleries, and installations make up the Benesse Art Site Naoshima, a project idealized by billionaire businessman Soichiro Fukutake in the 1980s.

Álvaro Siza’s latest project in Portugal is a 16-meter high watchtower built with a lightweight steel structure featuring photovoltaic panels on the roof. This project is very different from most of Siza’s works, both in terms of scale and materials. The watchtower is located in Serra das Talhadas, in the municipality of Proença-a-Nova, and is part of a larger project comprising several structures dedicated to ecotourism in the area, including the Miradouro do Zebro.

“If you gave me your shoe, I could tell you with about 90% accuracy the city in the world from which you came,” says Christopher Mason, Ph.D., a professor at Weill Cornell Medicine in New York, NY, co-author of the first global atlas of urban microorganisms. The study, carried out by the international Metagenomics and Metadesign of Subways and Urban Biomes (MetaSUB) consortium, creates a map of the microbiome of some of the largest cities in the world.

“If you gave me your shoe, I could tell you with about 90% accuracy the city in the world from which you came,” says Christopher Mason, Ph.D., a professor at Weill Cornell Medicine in New York, NY, co-author of the first global atlas of urban microorganisms. The study, carried out by the international Metagenomics and Metadesign of Subways and Urban Biomes (MetaSUB) consortium, creates a map of the microbiome of some of the largest cities in the world.

The International Union of Architects (UIA) has announced the UIA Gold Medal and Prizes winners. The UIA Gold Medal is awarded to Brazilian architect Paulo Mendes da Rocha, president of the 27th UIA World Congress of Architects — UIA2021RIO Honour Committee. The architect will also participate in a keynote speakers session programmed for July.

Rare are the fields, from arts and culture, that have so many things in common with architecture, as film does. Acknowledging that this is far from new, this topic has been debated by theorists and authors from both fields ever since the beginning of the 20th century. Architecture has been trying to embody subtle and poetical features from film while cinema has historically served as a means to discuss, represent, and denounce topics tightly related to architecture and cities.

An interesting example of this overlapping can be found in the contemporary production of French-Italian film company Bêka & Lemoine, whose works show a sensible look towards the details and the simplicity of the architecture and urban spaces. Currently encompassing thirty feature films, Ila Bêka’s and Louise Lemoine’s portfolio casts light on the everyday life of different cities around the world, revealing an attentive gaze to the most trivial aspects of human existence in the urban realm.

Entitled utopias of common life, Brazil’s official participation in the 17th Bienalle Architettura 2021 is curated by the collaborative studio Arquitetos Associados and the visual designer Henrique Penha. The exhibition at the Brazilian Pavilion in the Giardini, in Venice, begins by mapping utopias that exist on Brazilian soil, from the Guarani world vision of a Land Without Evil to contemporary times, highlighting a few singular moments among them.

In Conflict, the Portuguese Official Representation at the 17th Architecture International Exhibition La Biennale di Venezia, 2021, is co-curated by Carlos Azevedo, João Crisóstomo, and Luís Sobral of depA architects, and Miguel Santos. The exhibition addresses public spaces as arenas of conflict, understood as the action of opposing forces translated as dissension. In Conflict responds directly to the question ‘How will we live together?’ posed by Hashim Sarkis, curator of the Biennale Architettura, and is based on seven architectural processes involving collective dwellings that were the subjects of broad media coverage and public involvement.

“The house is among the first concepts shared by society and architecture”, states André Tavares and Pippo Ciorra, curators of the exhibition called At Home: Projects for Contemporary Housing, on display at Garagem Sul / Centro Cultural Belém, in Lisbon. The show, which is the unfolding of another one previously held at the MAXXI Museum in Rome, gathers pieces from the huge collection of the Italian institution and seeks intersections with contemporary Portuguese architectural production. Its main topic – the house, the home – has never been more discussed than right now.

Somewhere between 1914 and 1915, Le Corbusier designed the Maison Dom-Ino, a groundbreaking modular structure that replaced the heavy load-bearing walls with reinforced concrete columns and slabs. The open floor plan with minimal thin elements, coupled with large glass facades, would ensure healthy natural daylight for the interior spaces as well as desirable architectural transparency that could blur the boundaries between interior and exterior —at least metaphorically.