Articles by Romullo Baratto

On the grounds of the Tripoli International Fair (Rashid Karameh International Exhibition Center) in Lebanon, one finds one of the five largest exhibition centers in the world. The 15 structures, designed by legendary Brazilian architect Oscar Niemeyer in 1963, remain unfinished due to the project’s abandonment during the country’s civil war in 1975. Inscribed on UNESCO’s World Heritage in Danger List, on January 25th, 2023, the 70-hectare site is located between the historic center of Tripoli and the port. In 2022, the renovation of one of the structures on the site, the Niemeyer Guest House, by East Architecture won the Aga Khan Award.

There are many ways to get to know a place. Ask a group of people who know Venice; chances are good that everyone has some mental image of the city and its canals. Once again, ask how many have already visited the Venetian capital. Few or no one may have done so. While traveling is a complete way to experience a place, it’s not the only way – images of cities, areas and buildings are everywhere, from advertising to the arts, from Instagram to cinema, and they leave deep impressions on our memory and imagination.

If you haven’t gotten a chance to visit Brasília, Joana França‘s photographic projects offer a comprehensive interpretation of the capital of South America’s most populous country. França has dedicated a significant part of her career as an architecture photographer to the pursuit of amassing an impressive archive of images of the city planned by Lúcio Costa and Oscar Niemeyer.

“What characterizes and gives meaning to Brasilia is a game of three scales… the residential or everyday scale… the so-called monumental scale, in which man acquires a collective dimension; the urbanistic expression of a new concept of nobility… Finally the gregarious scale, in which dimensions and space are deliberately reduced and concentrated in order to create a climate conducive to grouping… We can also add another fourth scale, the bucolic scale of open areas intended for lakeside retreats or weekends in the countryside.” – Lucio Costa in an interview with Jornal do Brasil, November 8, 1961.

It is a great privilege to amplify the voice of architects and other built environment professionals. It is also an enormous challenge as it requires a lot of investigation and time from our content team. However, the effort is gratifying. It puts us in contact with some of the most prominent talents in our field who have been discussing subjects such as cities, metaverse, community, environment, democracy, sustainability, building technology and interiors, to mention just a few.

In architecture, context is what concerns human existence in a given place. Climate, culture, geography, and pre-existences, to name just a few. For Toshiko Mori, a Japanese architect based in the United States, context is everything that arouses curiosity about the people we design for. In almost four decades as the head of her office in New York, Mori has had the opportunity to exercise her interest in design practice and academia, managing to build her buildings in contexts as diverse as China, U.S., and Senegal.

The Lisbon Architecture Triennale announced as the winner of the fourth edition of the Début Award the São Paulo office Vão, formed by Anna Juni, Enk te Winkel and Gustavo Delonero. The office is known for a transdisciplinary practice that seeks to dilute the boundaries of the professional field in order to enhance architectural reflection. In previous editions, the award recognized the work of Bonell+Dòriga (Spain, 2019), Umwelt (Chile, 2016) and Jimenez Lai, from Bureau Spectacular (USA, 2013).

Jean-Luc Godard, through his films, talks about architecture almost as easily as he talks about cinema itself. In honor of the nouvelle vague icon, who passed away today at the age of 91, we revisit How Architecture Speaks Through Cinema.

There are two ways to get to Cape Verde, by sea or sky. Either way, we are surprised by the landscape of immense rocky masses sprouting from the Atlantic’s navel before setting foot on land. Unpopulated until the middle of the 15th century, the volcanic archipelago is made up of ten islands, nine of which are currently inhabited, with unique characteristics in each one of them — some more touristy, like Sal, others more rural, like Santo Antão — and a version of Kriolu Kabuverdianu, which is not the official language (Portuguese occupies this place), but which is by far the most widely spoken.

There are two ways to get to Cape Verde, by sea or sky. Either way, we are surprised by the landscape of immense rocky masses sprouting from the Atlantic’s navel before setting foot on land. Unpopulated until the middle of the 15th century, the volcanic archipelago is made up of ten islands, nine of which are currently inhabited, with unique characteristics in each one of them — some more touristy, like Sal, others more rural, like Santo Antão — and a version of Kriolu Kabuverdianu, which is not the official language (Portuguese occupies this place), but which is by far the most widely spoken.