the void results in visual connections across the different levels, while letting natural light deep into the heart of the building.
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triangular prisms are excavated, creating courtyards that bring variety, daylight, ventilation, and nature inside the building.
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the galleries will be located on one level, a horizontal design that the museum says ‘offers an egalitarian experience’.
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as the project had a modest budget, the architects adopted simple construction methods that are comparable to putting furniture together.
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the brief called for a wide platform at ground level to perform ceremonies, while a previously existing underground space is to be used as a shared burial chamber.
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the venue has been designed to be as flexible and as adaptable as possible.
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the intervention aims to combine a thorough renovation of the historic building with the addition of a new ‘vertical’ museum.
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the residence is made of cast-in-place concrete and plays off the ambiguity of mass and void.
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canopies create a series of covered pedestrian alleyways, a lively retail environment, and interlinked courtyards along the waterfront promenade.
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the building will house an art collection that consists of more than 500 works ranging from painting and calligraphy, to photography and sculpture.
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