Articles by Niall Patrick Walsh

DnA has released images of its Music Studio By The Sea project, situated in Hebei Province, China. The studio building for a music foundation stands directly next to a long sandy beach, with a dune landscape in the background. On a square ground floor plan, the volumes ascend over three stories and conclude with a roof terrace.

Netflix has published a new show on its streaming service on the subject of tiny houses. “Tiny House Nation” follows renovation experts John Weisbarth and Zack Griffin across America, as they help design and construct tiny homes in spaces under 500 square feet. The seven episodes from the 2014-2017 series feature homeowners from all walks of life, from Florida to Hawaii, seeking to join a Tiny Houses Movement that prioritizes smart living.

Herzog & de Meuron have released images of their proposed University Hospital Basel, Perimeter B in Switzerland. The 68-meter-tall building, with a footprint of over 5000 square meters, exhibits the firm’s familiar clean, crisp aesthetic while paying respect to the surrounding historic context. Designed in collaboration with Rapp Architekten, the 12-story scheme will facilitate the hospital’s outpatient and nephrology centers.

AI SpaceFactory has been awarded first place in the NASA Centennial Challenge. The multi-planetary architectural and technology design agency’s Mars habitat MARSHA was awarded the overall winner in the long-running competition series, which saw 60 challengers in total. The MARSHA habitat offers a glimpse into what the future of human life could look like on Mars, with a 15-feet-tall prototype 3D printed during the final phase of the competition, including three robotically-placed windows.

The Seven Wonders of the Ancient World were regarded among 2nd-century scholars as the finest works of architecture on the planet. Some of these iconic structures, including the Great Pyramid of Giza, still survive to this day, albeit in a ruined state when contrasted with how they would have looked 2000 years ago. 

Amey Kandalgaonkar has unveiled a project which reimagines the traditional Chinese pagoda in a modernist style. The Shanghai-based designer created the fictional reinterpretation as a homage to a building form largely untouched by Modernism, featuring raw brut concrete, minimal ornamentation, and bold geometric moves.

Vincent Callebaut Architectures has unveiled images of their tribute to Notre-Dame Cathedral following the fire that badly damaged the historic structure. A transcendent project that forms a symbol of a resilient and ecological future, the project is inspired by biomimicry and a common ethic for a fairer symbiotic relationship between humans and nature.

Jonathan Ben David of the Israel Institute of Technology has created a thesis project titled “Terra Nullius” which dwells on the identities and conceptual restraints dividing people in the Middle East. Suggesting alternative concepts, frames of mind, and mediums for which different social groups can gather upon, the thesis takes place off the coast of Jaffa, once an epicenter of Palestinian urbanism, where a new state is formed as an act of protest by Jews and Palestinians longing for co-existence.

eVolo Magazine has announced the winners of its 2019 Skyscraper Competition. Now in its 14th year, the annual award was established to recognize “visionary ideas for building [high-rise] projects that through [the] novel use of technology, materials, programs, aesthetics, and spatial organizations, challenge the way we understand vertical architecture and its relationship with the natural and built environments.”

Italian artist Federico Babina has published the latest in his impressive portfolio of architectural illustrations. “Planimal” seeks to convey the close link between architecture and the natural world, translating animals into architectural plans. Through his set of drawings, Babina reimagines the architectural spaces as “narrative subjects that host us and lead us into a fantastic labyrinth of a dreamlike reality, architectures imagined as allusively zoomorphic sculptures.”