strategically placed openings allow the occupants to have a direct visual connection from one room to another, as well as with the natural surroundings.
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behind the timber mask, the house reveals its split personality, with one side accented by the exclusive use of raw materials and the other drenched in pastel blue paint.
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the new ‘christ the protector’ statue will reach 43 meters in height, surpassing its iconic counterpart in rio de janeiro by 5 meters.
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the project enjoys features of the typical apulian landscape: mighty walls, blue mediterranean-style windows and terraces covered in lecce stone.
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forming a reimagined ‘osetu-ma’ japanese reception room, as well as a ‘tokono-ma’ alcove, the refurbishment generates a new layout that accommodates the occupants efficiently.
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the brand’s different collections are exhibited under a large, sculptural ceiling system that integrates all lighting and flexible displays.
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the design features a series of key furniture pieces, including custom window shutters, towel rails, cat shelves, built-in storages, tables and bed frames.
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the structure emerges as a geometric dwelling with a distinctively patterned facade and a minimalist interior.
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the team used gold touches and terrazzo tiles, mixed with a splash of color to generate a both sophisticated, and fresh interior.
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on march 10th, the museum held an online meeting, giving viewers the opportunity to learn about the project’s progress and observe the latest renderings.
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