Articles by Mónica Arellano

Yona Friedman is a French architect and urban planner with more than 92 years of experience that has led him to participate in numerous events, including the Venice Biennial and the Shanghai Biennial. One of his most important works was published in 1958, entitled L’Architecture Mobile, which exposed one of his most ambitious projects named: “La Ville Spatiale”, a utopia that recycled mega-structures of existing cities to provide citizens with the chance to live with complete flexibility in their decisions.

Mextrópoli is a ludic and reflexive event that heightens the voices of architects, city planners and authorities to generate knowledge about the city that occupants inhabit. At Mextrópoli, public spaces are filled with pavilions, panel discussions that involve prominent actors in issues such as urbanism and public policy, as well as a strong selection of speakers. This program seeks to include all citizens. Students, activists, urban planners and architects are welcome to experience the extraordinary city.

In its sixth edition, the Mextrópoli Architecture and City Festival will propose new ways of thinking about the city as an open territory that is continually redefining its limits.

After having previously photographed the architecture offices in the Netherlands, Dubai, London, Paris, Beijing, Shanghai, Seoul, the Nordic countries, Barcelona and Los Angeles, the architectural photographer Marc Goodwin continues the series with an exploration of some of the most recognized architecture offices in Mexico. With a set of emerging and world-renowned offices alike, the series offers insight into the lives of designers in Mexico City.

One of the most important factors when designing is the specific climate of the site. This can often present challenges when dealing with extreme climates and it is necessary to use insulating materials that adapt to changing conditions. However, Mexico and its privileged climate can be in an architect’s favor. Here, architects can create microclimates and spaces that blur the transition of inside and outside.

A quintessential characteristic of Mexican culture — in addition to its architecture and rich pre-Colombian identity — is its gastronomy. In 2010, UNESCO’s Intangible Cultural Heritage list inscribed Mexican Traditional Cuisine. The foundation remarked that “their knowledge and techniques express community identity, reinforce social bonds, and build stronger local, regional and national identities.” However, from Mole to Birria and Pozole to Cochinita Pibil, the most iconic, versatile, and tasty meal is the taco.

Urban Sketchers is an international non-profit organization dedicated to fostering a global community of artists who practice on-site drawings to enhance the artistic, narrative, and educational value of drawing. Connecting people from all over the world, the organization brings people in touch with their environment to illustrate drawings of their lived experiences. 

On November 22, 1988, one of the most important and revered figures in the history of Mexican and international architecture died in Mexico City. Luis Barragán Morfín, born in Guadalajara and trained as a civil engineer left behind an extensive legacy of published works, conferences, buildings, houses, and gardens that remain relevant to this day. While Barragán was known for his far-reaching research in customs and traditions, above all, the architect spent his life in contemplation. His sensitivity to the world and continued effort to rewrite the mundane has made him a lasting figure in Mexico, and the world.

Cuernavaca, located just a few hours from Mexico City, is one of the most visited places in the country thanks to its history, weather, and architecture. The city has eleven declared historical sites, such as the Cortés Palace, the Cuernavaca Cathedral, the Borda Garden, the Calvario Spire, Teopanzolco, Chapultepec Nature Park, the Cuernavaca Kite, and the Hotel Casino de la Selva, among others. For the past few years, Cuernavaca has experienced a boom in contemporary architecture, starting with the Tallera building which was built in 2010 by Mexican architect Frida Escobedo. The project gave life to the Siqueiros murals and all the history behind them.

Luis Barragán Morfín was born in Guadalajara and graduated as a civil engineer. He left an extensive legacy, from renowned texts, conferences, buildings, houses, and gardens that are still in use today. While Barragán was known for his far-reaching research in customs and traditions, above all, the architect spent his life in contemplation. His sensitivity to the world and continued effort to rewrite the mundane has made him a lasting figure in Mexico, and the world.

‘Central Community Pavilion’ was a response to an invitation to design a variety of temporary pavilions by different creators as a part of Arch Days CDMX and Design Week 2018. For the occasion, three up-and-coming architectural firms have joined forces to design and construct a single pavilion with a common theme. The design process between TO Arquitectura, LANZA Atelier, and Alberto Odériz reinforced the idea of a generation plagued with a certain collective curiosity and concern.