Articles by Moises Carrasco

In the coastal and jungle regions of Costa Rica, high humidity and intense solar radiation dictate an architectural strategy centered on permeability rather than enclosure. Unlike the airtight envelopes required in cold climates to retain heat, Costa Rican architecture uses the building envelope as a climatic filter to maximize air exchange. The primary mechanism for managing these thermal gradients seems to be the oversized roof overhang. By extending the roof plane significantly beyond the floor plate, architects create a permanent buffer of deep shade that reduces solar gain and lowers the ambient temperature before air enters the structure. This strategy, combined with permeable or non-existent walls, allows for constant airflow. This is a critical technical requirement for humidity control and the prevention of material degradation through mold and rot.

It was July 1969, and people on planet Earth were about to witness a historical moment for humanity: the first time a human being stepped on the surface of the Moon aboard the Apollo 11 mission. After this event, NASA landed five more times on the lunar surface, with the last one being Apollo 17 in 1972. Since then, humans have not attempted to return to the Moon until this year, 2026, when they will launch the Orion spacecraft as part of the Artemis II Mission. Planned to set off between February and April 2026, Orion will not yet land people on the Moon, instead it will make a flyby, in order to allow testing of the software and systems. This will set the base for an actual human landing on the Moon’s South Pole as part of Artemis III sometime between 2027 and 2028, eventually opening a brand new era in Extraterrestrial architectural design.

WORKac is a New York-based firm founded in 2003 by Amale Andraos and Dan Wood. The firm has always believed in “the power of architecture and design to engage in environmental and social concerns, and to create new possibilities for the future.” In that sense, the firm’s principals define their approach to architecture as a constant evolution. For them, it is a continuous process of learning, questioning, and relearning, which is nurtured through the firm’s engagement in local culture, climates, and histories, as well as discourse in the fields of ecology, landscape, and urbanism. In this way, they are able to bring these topics together with a focus on public, cultural, and civic projects that aim to reinvent how people live, work, and experience the world.

Historic center renewal has become a recurring strategy in Central American cities seeking to reassert the symbolic, economic, and functional relevance of their traditional cores. These processes often combine physical rehabilitation, institutional investment, and stricter control over public space. San Salvador offers a recent and instructive case, which allows for understanding of how interventions in inherited civic spaces balance infrastructure improvement with heritage conservation and social regulation. It also enables the assessment of how these choices resonate within broader debates on urban transformation in the region.

The architectural history of North American cities in the 20th century is often characterized by the pursuit of urban renewal. In the United States, Boston, Portland, and San Francisco are just some examples of when municipal governments prioritized high-speed vehicular infrastructure over the existing urban fabric. In Canada, Montreal would have followed this trajectory if not for the intervention of several figures throughout its history, most notably Blanche Lemco van Ginkel (1923–2022). A Harvard-trained planner and architect who, along with her husband Sandy Van Ginkel, advocated for the preservation of urban heritage while applying the principles of modernist infrastructure.

Architectural ornamentation has been a recurrent subject of debate across the industry for decades. A practice that was largely abandoned during the Modernist movement could now be standing on a platform that might, again, allow its resurgence, due to the current convergence of robotics, artificial intelligence (AI), and digital fabrication. Technology has seemingly removed the primary obstacle to decorative detail: the high cost of skilled manual labor. However, this new technical capacity demands a critical examination: What does ornamentation truly represent, and what do we gain or lose by resurrecting it through algorithmic design?

Founded in Winnipeg, Manitoba, in 2007 by Johanna Hurme and Sasa Radulovic, and shortly afterward joined by its third partner, Colin Neufeld, 5468796 Architecture was established as an architecture firm whose early work explored the current state of housing in North America. The Canadian studio operates as a collaborative group of approximately 20 designers, where they prioritize the collective value of ideas over individual authorship.

The history of the Olympic Games, while marked by athletic achievement, is consistently contrasted by infrastructure challenges. Across host cities, from Athens to Rio and Beijing, similar issues arise: significant cost overruns and the complex issue of legacy. The big question is: What is the best viable long-term use for purpose-built sport venues? Montreal’s 1976 Games shared this fate after building an Olympic Park that faced heavy criticism for cost overruns and debt from specialized construction. Post-Games, venues like the Montreal Velodrome risked becoming a financial burden. However, the city demonstrated a proactive response by proposing the transformation of the building into a thriving civic asset that now stands as an internationally recognized example of successful Olympic venue repurposing.

Few commissions allow architects to focus on non-human users, and fewer still involve horses. While domestic pets like cats and dogs are common muses, the particular needs of horses present a unique challenge when designing stables. Since the horses, who are the stable’s primary inhabitants, cannot articulate their needs, design relies on the rigorous requirements dictated by human caretakers, requiring a balance between streamlined human operations and maximized horse comfort and safety. Architects often seem to address this through three core principles: Equine Comfort & Well-being, Contextual Materiality, and Operational Efficiency. Thus, the resulting layouts are characterized by rigorous zoning that clearly separates the programs into residential (stalls), service (tack, storage, wash, feed), and training spaces (arenas, walkers). The designs also address visual well-being: Horses are social animals, so they strategically position stables to promote sightlines between animals and to the exterior, often employing louvered or open-frame systems. Furthermore, lighting is kept diffuse using materials such as translucent panels to prevent sharp, stress-inducing shadows in arenas. Similarly, circulation paths are designed for the safe, efficient movement of both people and animals.

Honduran architect Angela Stassano is contributing to Central America’s architectural landscape with her applied research regarding bioclimatic designs. Based in San Pedro Sula, Honduras, her projects draw from local heritage techniques to address the needs of hot, humid tropical environments. Stassano has developed her expertise through over 30 years of hands-on research, culminating in a bioclimatic architecture guide that outlines her methods for construction in this region. One of her most notable projects, Las Casitas, is a residential complex that embodies this research. The project includes multiple energy-efficient tropical houses that harness the local climate, resulting in low energy and operational costs.