Articles by Maria-Cristina Florian

As repositories of knowledge and catalysts for innovation, museums represent an architectural typology filled with opportunities. They act as an intermediary between the general public and artists, historians, and researchers, creating the medium for the display of cultures and creativity while also striving to make knowledge accessible to all. Through careful curation and exhibition design, they provide a platform for education and research, fostering an understanding and appreciation of diverse cultures, histories, and ideas. For architects, they also present an opportunity to conceive spaces aligned with the exhibits on display to create an immersive experience for the visitors.

As one of the most important and visited contemporary architecture exhibitions worldwide, the Venice Architecture Biennale extends beyond the grounds of the Giardini and the Arsenale, and at Forte Marghera to engage the whole city in discussing relevant issues, challenges, and opportunities of the architectural profession. To explore more diverse perspectives of the overarching theme, “Africa: The Laboratory of the Future,” 9 collateral events have been officially announced as part of the 18th International Architecture Exhibition of La Biennale di Venezia.

The National Pavilion of the Czech Republic presents the exhibition “The Office for a Non-Precarious Future” at the 18th International Architecture Exhibition of La Biennale di Venezia. The exhibition investigates current pressing issues faced by the architectural profession and especially by young practitioners by asking the initial question: ”How can architects design a better world if they themselves work in a toxic working system?.” The pavilion is commissioned by Helena Huber-Doudová and will present the works of exhibitors Eliška Havla Pomyjová, David Neuhäusl, and Jan Netušil. As the Czech ad Slovak Pavilion at the Giardini della Biennale is under reconstruction, the Czech Republic will exceptionally use the Arsenale in the Artiglierie section as its exhibition space. The Czech and Slovak Pavilion in Giardini will serve only as a digital hub to complement the main presentation.

For the 18th International Architecture Exhibition – La Biennale di Venezia, the South African Pavilion explores the architectural representation of social structures through an exhibition titled “The Structure of a People.” Prior to the exhibition, the pavilion curators, Mr. Stephen Steyn, Dr. Emmanuel Nkambule, and Dr. Sechaba Maape, conducted a national architecture competition titled “Political Animals,” aimed at gathering artifacts crafted by lecturers and architecture students to represent the structures of their schools or universities. The resulting models and miniature architectures, produced by ModelArt, will be exhibited within Zone III, Political Animals, as part of the South African Pavilion.

Following an international competition, MVRDV has been selected to lead the design of the Hangzhou Oil Refinery Factory Park, an extensive project aiming to transform the former industrial district into a cultural center set in a green environment. Complete with a new art and science museum, offices, retail, and a wide variety of cultural offerings, the redevelopment demonstrates a way forward from an oil-based infrastructure to more sustainable alternatives, while retaining the memory of the past technologies. The park sits alongside the southern end of China’s Grand Canal, the world’s longest and one of the oldest man-made waterways created to strengthen economic connections between the south and the north of the country.

Every year since 1996, the Royal Institute of British Architects (RIBA) has hosted the RIBA London Awards to celebrate outstanding works of architecture from across the United Kingdom. This year, the list of winners includes 52 buildings ranging from a senior day-care center in Blackheath to a cultural hub in Greenwich and a subtle intervention in Hackney’s de Beauvoir conservation area. All RIBA London Awards winners will be considered for the RIBA National Award, scheduled to be announced on June 22^nd.

As part of the Circlewood consortium, OMA’s David Gianotten and Michel den Otter have developed a modular system to build schools that can adapt and transform throughout their lifecycle. The system was selected by the City of Amsterdam to be employed to build multiple schools in the coming ten years, as part of the Innovation Partnership School Buildings program. The citywide initiative aims to build nine to thirty “high-quality, flexible, and sustainable” schools as a way to contribute to the city’s goal of becoming fully circular by 2050.

Built on a cluster of 118 small islands in the shallow Venetian Lagoon, the city of Venice, Italy, has captivated the imagination of architects and tourists alike. The area has been inhabited since ancient times, becoming a major financial and maritime power during the Middle Ages and Renaissance, as proven through the rich architecture that characterizes the city to this day. With influences from the Byzantine, Gothic, and Renaissance styles, the city represents a palimpsest of architectural narratives, overlapping and influencing each other. In recent years, Venice has become a major attraction for architects drawn to the La Biennale di Venezia, the most important Architectural Exhibition featuring national pavilions, exhibitions, and events to explore new concepts and architectural innovations.

Following an international competition, Kengo Kuma & Associates has been selected to design the new visitor center for Butrint National Park, a UNESCO World Heritage Site on Albania’s Ionian coastline. Through its placement in a nodal and strategic position, the project aims to establish a new connection between the local communities and the expected archeological site visitors, thus improving the accessibility of the site, which is recognized as one of Albania’s chef cultural attractions. The visitor center, developed with Albanian partners CHwB Albania, is scheduled to open to the public in 2025.

For the 18th International Architecture Exhibition – La Biennale di Venezia, the Pavilion of Ukraine presents an exhibition titled “Before the Future,” focusing on the paradox of “building a future from a collapsing present.” The intervention reimagines two spaces, one in Arsenale and one in Giardini, to evoke protective structures that have become emblematic of feelings of safety while under threat for Ukrainian society. The curatorial team, composed of Iryna Miroshnykova and Oleksii Petrov, of the Kyiv-based architectural office ФОРМА, and Borys Filonenko, independent curator, art critic, and lecturer, set out to work with specialists from numerous fields to further explore the theme “Laboratory of the Future.”