Articles by Maria-Cristina Florian

3XN GXN has revealed its design for Mahler 1, a 15-storey mixed-use office building. The structure, developed in collaboration with Victory Group, Icon Real Estate, and Erik Dhont Landscape Architects, features a hybrid-timber construction system that creates a stepped volume, breaking down the building’s mass. At the street level, the development offers a wide variety of public amenities, striving to become an active hub for both residents and office workers. The project is expected to begin construction in the first half of 2025 and conclude in late 2027.

The concept of low-tech architecture recognizes the impact of carbon-intensive technologies and building practices and proposes an alternative: a rediscovery of practical, rational, locally adapted solutions that count on smart design strategies instead of energy-intensive devices to ensure a safe, comfortable living environment. Far from being a regressive approach, the term remains open to innovations but seeks to rebalance the industry’s reliance on mechanization. It thus favors an architecture of fewer components, minimized dependence on high-tech solutions, and a preference for low-embodied carbon materials.

The recent history of the city of Paris is entangled with that of the Olympic Games. In 1900, Paris hosted the second edition of the Games, starting a journey of urban adaptations and architectural developments that prepared the city for the event. Among the most important changes was the introduction of Line 1 of the metro, inaugurated in 1900 to link the locations of the Universal Exhibition with those of the Olympic Games in Vincennes. Just 24 years later, the city hosted one of the most influential editions of the Olympic Games. The event, the first to be broadcasted on the airwaves, contributed to a substantial rise in the popularity of the Games. It was also during this edition that the concept of the Olympic Village was born. Several of the infrastructures and venues built over a century ago are still in use in Paris, with some of them returning now as hosts of Olympic events.

Heatherwick Studio has unveiled the design of a new large-scale glass canopy to become one of the main attractions of Olympia, an ambitious regeneration project aimed at transforming the 138-year-old exhibition halls in London into a global culture and entertainment destination. Originally designed by Sir Henry Edward Coe, Olympia is set to offer visitors a wide range of venues and activities, including two hotels, over 30 restaurants, bars and eateries, a 4,400-capacity live music hall, a theater, and spaces for the Wetherby Performing Arts School, in addition to over 2.5 acres of accessible public spaces. The revival project is co-designed by Heatherwick Studio and SPPARC.

Beyond serving as mere backdrops for fashion shows, architecture often influences fashion collections, contributing spatially to their storytelling, offering material inspiration, and showcasing the connection between structure and shape. As both disciplines revolve around form, structure, and the human experience, architecture, and fashion share a strong connection, one often explored by creators in both fields. From meticulous tailoring and structural designs that mimic architectural lines, contours, and volumes, to architecture taking cues from how fashion works with the human shape, this interplay can create multidimensional experiences for the enthusiasts of both high fashion and architecture.

Stefano Boeri Architetti has been declared the winner of the international competition for the redevelopment of a former industrial site in downtown Bratislava. The project includes the transformation of one of the largest abandoned areas in the Slovak capital, with the aim of creating an active new central hub for the city, complete with parks and public spaces, residential units, and a variety of amenities. Stefano Boeri Architetti’s master plan proposal, titled “Urban Oasis,” has been appreciated by the jury for integrating familiar typologies, creating a “European matrix” of medium-density developments organized around accessible public spaces.

Gallaudet University was established in 1864, becoming the first American educational institution for the deaf and hard of hearing. The university is officially bilingual, with American Sign Language (ASL) and written English used throughout the educational programs. Over the years, the university has grown, adapting both its teaching methods and its spaces to the needs of its students, in turn learning from them how to counter the challenges they face and create a safer and more comfortable environment. These lessons turned into design guidelines, created to educate the architectural community about the strategies they can employ to create more accessible spaces for all.

QS, Quacquarelli Symonds World University Rankings, has announced the annual list of the top universities to study Architecture and the Built Environment in the year 2024. The ranking evaluates over 1,500 institutions from over 100 locations. The evaluation system has been updated this year to include new metrics such as sustainability, employment outcomes, and international research networks.

The official opening date for the 23^rd Serpentine Pavilion has been announced for June th, 2024. The structure designed by Seoul-based Korean architect Minsuk Cho and his firm Mass Studies, will welcome visitors until October 27, 2024, in London’s Kensington Gardens. Titled “Archipelagic Void,” the pavilion is composed of five islands displayed around a central void in reference to the mandang, a type of open courtyard found in traditional Korean houses. The intervention will be activated throughout the summer with a diverse program of events, starting with a conversation between Minsuk Cho and Serpentine Artistic Director Hans Ulrich Obrist on June 7, 2024.

Lebanese French architect Lina Ghotmeh with her Paris-based studio Lina Ghotmeh – Architecture has revealed the design for the National Pavilion of the Kingdom of Bahrain for the Expo Osaka 2025. The design draws inspiration from the traditional Bahraini dhow boats, employing the country’s historical boat-building technologies to showcase Bahrain’s craftsmanship and manufacturing heritage. The pavilion is also a not to the hosts of the world expo, drawing parallels with Japanese wood artistry.