Articles by Kaley Overstreet

Imagine if a few years ago you woke up to the news that someone paid more than one million dollars for three plots of digital land next to famed rapper Snoop Dogg’s digital mansion. You’d probably ask yourself, “What is digital real estate, and why would someone pay for that?” Over the past year, there’s been a rush to buy properties, art, and land- but all of it exists in a virtual world called the metaverse. Although this world existed long before the pandemic, lockdowns propelled the online world to a new level, catching the attention of private buyers and brokerages alike who began to funnel tier money into this augmented reality. But how did this world emerge, what does the future hold, and can anyone join the virtual world?

For decades, cities around the world have been promoting their nightlife scene and the designed spaces in which these activities occur. Occasionally hidden away from the hustle and bustle, offering a sort of escapism from the day-to-day-routine behind red velvet ropes and intense security measures, or sometimes proudly on display for people from all walks of life to congregate and spend the evening under the glisten of a disco ball or flashing lights, nightclubs are an example of how fashion, culture, and societal norms influence an often overlooked and underground side of architecture.

Throughout history, architectural styles, have experienced numerous movements throughout time, giving us various expressions of interior and exterior spaces. These movements are often created out of dissatisfaction with the status quo, shifts in religious ideologies, or the emergence of new building technology. Perhaps one of the most famous instances in history was the precedent set by Adolf Loos and his desire to break away from Viennese tradition with his strong dissent of ornament in architecture in favor of simplicity, and his literary discourse that lay the cornerstone for the modernist movement in architecture.

The hassle and stress that comes with home buying is something that everyone interested in purchasing a property dreads. The long process of negotiations between buyers and sellers, months of escrow, and expensive closing costs demand a more simple and convenient process of home transactions. Consumers today expect a quick turnaround on all services- including purchasing a home. Enter ‘iBuyers” who are removing the hurdles around this process and making home valuations and sales a more automated process.

Earlier this year, a fourth person tragically took their life by jumping over the edge of The Vessel, a monumental Escher-like structure that serves as the anchor of tourism to New York City’s Hudson Yards development. Many immediately called for the 16-story sculpture to be torn down, and others demanded further safety barriers to be put in place, even if it meant blocking some of the views and vantage points. For now, The Vessel is closed until officials decide what to do next. Unfortunately, it’s become an attraction loosely associated with death, especially as it sits silently while the hustle and bustle of Hudson Yards remains.

The rise of electric scooter fleets in cities around the globe happened almost overnight. By making transportation fun, they quickly took over a new market share and provided not only an easy way to travel but one that also prides itself in being sustainable. First becoming popular on the West Coast of the United States, scooters migrated eastward, eventually sweeping across Europe as well. Easy to maneuver and a convenient solution to get from place to place, we have to ask- can cities handle the accelerating rise of scooters and other forms of micromobility?

What is an architecture critic? And what makes a critic in the 21st century? Throughout history, critics were the select few who were chosen to describe and evaluate architecture while we waited for their rave reviews or disappointments before we validated our own opinions. Their thoughts and words became design canon and heavy-handedly shaped our profession. This mindset and culture only further contributed to the idea that architecture is an “elitist” practice where a few set the rules and the rest must learn them. While architecture will always have named critics, just as other forms of art and culture have theirs, there’s recently been a push for architecture to transform itself into a profession that designs for the masses and is equally critiqued by the masses.

What is an architecture critic? And what makes a critic in the 21st century? Throughout history, critics were the select few who were chosen to describe and evaluate architecture while we waited for their rave reviews or disappointments before we validated our own opinions. Their thoughts and words became design canon and heavy-handedly shaped our profession. This mindset and culture only further contributed to the idea that architecture is an “elitist” practice where a few set the rules and the rest must learn them. While architecture will always have named critics, just as other forms of art and culture have theirs, there’s recently been a push for architecture to transform itself into a profession that designs for the masses and is equally critiqued by the masses.

It is projected that by 2025, the world’s population will reach over 8.1 billion people- and a large majority of those people will be heavily concentrated in cities. While much of the focus has been on preparing and reconfiguring our already hyper-dense urban to absorb even more people, in the peripheral, smaller cities and towns around the globe have experienced significant expansion, and have defined themselves as “up-and-coming”. Places that were perhaps once overlooked are putting themselves on the map for their rapid growth, economic vitality, and affordability, among other characteristics.

Only 18 months ago, everyone around the globe had their life upended by the COVID-19 pandemic. Almost immediately, architects and designers began to speculate on how they could design for a better world that would be flexible, functional, and healthy. While the pandemic is far from over, with many scientific advancements and public health policies still needed to truly allow us to live out our “new normal”, perhaps its time to reflect on our predictions and examine what aspects of the pandemic were short-term reactions, and which aspects of life might be permanently reflected in how we think about the built environment.