Articles by José Tomás Franco

With the aim of generating an architecture that incubates the wellbeing, self-realization, and fulfillment of its inhabitants to become the best version of themselves, CEBRA has launched an ambitious Research and Development Program (R&D) called WISE (Work, Innovation, Space and Education).

As explained by its creators, the purpose of WISE is “to bridge the ongoing and rapid change in the sectors of workspace and education to inform the design of buildings that stimulate learning and innovation. We are connecting ideas of the foremost thinkers of education and entrepreneurship, research and studies in sensory stimuli, cognitive psychology, and behaviorism with architecture.”

We spoke with Carsten Primdahl, founding partner of CEBRA, and Klaudio Muca, R&D Architect at CEBRA, to better understand the approach and expected results of the program.

Dense cities mean small homes. With more and more frequency we are forced to adapt to spaces within which some elements simply do not fit. As architects, these restrictions actually provide us with opportunities and remind us that our goal is to give precise solutions to specific problems. Designing with infinite number square meters and/or an unlimited budget is practically unheard of.

In May 1985, an old theater and concert hall opened its doors to the public for the opening of a brand new nightclub in New York City. Located on 126 East 14th Street, the project was commissioned by entrepreneurs Steve Rubell and Ian Schrager, owners of the also famous club Studio 54, and was conceived as a vibrant and luminous independent structure arranged inside a rather classic shell, which appears as a beautiful backdrop behind the clean geometry of Isozaki.

Most of the materials that we use in the construction of our projects have shapes and dimensions that seek to facilitate their storage, transfer, and installation, being constituted in its majority by orthogonal modulations. These straight angles don’t always fit with the irregularity of our designs, nor do they coincide exactly when encountering more organic materials or other specific elements such as ducts, pillars, or furniture.

Argentine firm Estudio Arzubialde and Chilean architect Verónica Arcos led a Material Experimentation Workshop in Rosario, Argentina, during which six different groups of students designed and built projects using a variety of brick laying techniques.

Fusing augmented reality with the physical space, Fologram seeks to facilitate the construction of complex designs (for example, parametric designs that require a series of measurements, verification, and specific care) through digital instructions that are virtually superimposed into the workspace, directing a step-by-step guide for bricklayers during the construction process.

Description by the architects.