Articles by Dima Stouhi

While the United States’ green-building industry was still relatively slow in the early 1990’s, Herman Miller, who is known for his architectural experimentation, decided to construct a new facility for Simple, Quick, Affordable (SQA), a company that bought used office furniture to refurbish them and sell them to smaller businesses. To do so, he chose to build sustainably, a design approach that was not yet utilized in the region.

Regardless of what field designers specialize in, they are capable of translating their ideas and fantasies into visible and tangible material. After all, a designer’s principle is quite simple: If it doesn’t exist, create it.

Past, Present, Future is an interview project by Itinerant Office, asking acclaimed architects to share their perspectives on the constantly evolving world of architecture. Each interview is split into three video segments: Past, Present, and Future, in which interviewees discuss their thoughts and experiences of architecture through each of those lenses. The first episode of the project featured 11 architects from Italy and the Netherlands and Episode II is comprised of interviews with 13 architects from Spain, Portugal, France, and Belgium.

It is expected that within the next few of decades, Earth will have absolutely nothing left to offer whoever/whatever is capable of surviving on it. Although the human race is solely responsible for the damages done to the planet, a thin silver lining can still be seen if radical changes were to be done to the way we live on Earth and how we sustain it.

Advances in technology have changed the way people work and move around congested cities. Since free space in these urban areas has become scarce, people have shifted their perspective upwards and are now looking to the sky for new means of mobility, transporting their goods via cargo drones and flying ‘taxis’.

Architects often look for inspiration in anything and everything around them: forms, volumes, artwork, music, nature… But some sources (and projects) are just out of this world. Literally.

Nothing is ordinary about the Italian city of Venice. Whether it is the vividly-colored architecture that dates back to Gothic and Byzantine eras, or the fact that the city is floating on water, culturally-rich Venice is an intriguing destination for people of all backgrounds and interests.

Although Brutalist architecture is often criticized for its raw, unfinished look, it has been frequently used in the design of public buildings, with many becoming iconic landmarks. Some architects chose to break away from typical concrete structures and implemented a pop of color on the walls, window frames, and flooring, adding some dynamism to the monotonous palette.

The 2019 CANactions International Architecture Festival focused on an exploration of a notion of “Hromada” — Ukrainian name for the ‘community’, which is embedded into the country’s historic and cultural codes and reflected in contemporary social movements and architectural forms.