Articles by Dima Stouhi

To answer the Biennale’s question of “How Will We Live Together“, curators of the national pavilions explored what the future would look like in an architectural, cultural, and environmental context. Many saw the future as an entirely virtual environment whereas other highlighted the cruciality of physical coexistence with neighbors. ArchDaily met with Ippolito Pestellini Laparelli, curator of the Russian Pavilion, to discuss how the idea of the pavilion came together throughout the year as a virtual platform for interdisciplinary creative thinkers, the role of cultural institutions across physical and digital spaces, and how digitalization is always part of the conversation.

“When we enter the restroom, we are never alone. Instead, we are entangled in a network of bodies, infrastructures, ecosystems, cultural norms, and regulations”. Although restrooms are often overlooked facilities that cater to the needs of individuals, they are, however, spaces where gender, religion, race, hygiene, health, and the economy are defined and expressed. For the 17th International Architecture Exhibition at La Biennale di Venezia, Matilde Cassani, Ignacio G. Galán, Iván L. Munuera, and Joel Sanders designed two pavilions that exhibit how restrooms are political architectures, serving as battlegrounds for the world’s disputes.

What does the future of cities and transportation look like? It looks like the future will run on two wheels and a handle bar. Many explain the rise of cyclists as a shift towards a healthier and more economical lifestyle. But while that may be true, why would individuals feel inclined to ride bicycles if the roads don’t support it, or if there weren’t adequate spaces to park?

With the inauguration of the 17th Venice Architecture Biennale, 60 nations from across the world showcased unique solutions to the question of “How will we live together”. Neither the pandemic nor its repercussions got in the way of the curators’ creative process. Instead, they took it as a factor to explore how the notion of ‘living together’ has changed over the past year, and how they can reimagine better built environments. ArchDaily had the opportunity to meet with architect Wael Al Awar, one of the co-curators of the UAE Pavilion, to discuss how the pavilion’s innovative material came to be and what it means for the future of architecture.

Despite the emergence of collective and interdisciplinary practices, architectural entrepreneurship remains a vague discipline. As academic institutes focus on cultivating students’ hard skills during their undergraduate years, their soft skills are often overlooked, left to be acquired or strengthened during their work experience. Stepping into the “real world”, fresh graduates who decide to venture into their professional journey as freelancers or in start-ups, often find themselves overwhelmed with questions; ‘How do I convince the client? Am I communicating my concept properly to the contractors? Am I charging the client enough? Why is the project not being executed like I designed it? Why is this project taking a lot more time than I intended it to? How can I run a successful business if I’ve never taken a business course in architecture school?’

The Dubai Crown Prince has issued a Resolution to form a Supreme Committee for the Urban Planning of Dubai. The decision aims to regulate, ensure, and implement all the required deliverables of the Dubai 2040 Urban Master Plan, to make Dubai the “best city in the world to live in”. The urban planning sector will overlook all major infrastructure and urban projects, as well as focus on addressing matters of housing and regulations of the real estate sector to improve the wellbeing of the city’s residents.

Titled “Inbetween”, the Australian pavilion at the 17th International Architecture Exhibition – La Biennale Di Venezia demonstrates architecture’s “capacity to strengthen cultural connections and understanding between non-indigenous and first nations people”. Curated by creative directors Tristan Wong and Jefa Greenaway, with Jordyn Milliken, Aaron Puls, Elizabeth Grant, and Ash Parsons, the pavilion will be on physical and digital display at the Giardini from May 22nd until November 21st, 2021.

Following it’s closure in January 2021, the 150-foot monumental staircase in Hudson Yards have reopened to the public on May 28th, but with a ban on solo visitors. The closure was confirmed after three individuals committed suicide since its opening in 2019, all under the age of 25. The structure was “temporarily closed” amid consultations by the firm with suicide-prevention experts and psychiatrists about how to prevent more potential suicides.

Light is a key feature in architecture. Centuries ago, the sun and fire were the only sources of illumination, but in today’s technology-driven world, artificial lighting and cutting-edge optical technologies have found ways to mimic the qualities of natural light, making it possible to have a naturally-lit-looking space within four walls. LED technologies have even made it possible to embed lighting in furniture, interior surfaces, and facades, altering with their intensities and hues to make light a main feature in the architecture’s storytelling.

Graham Foundation has released the names of the 2021 Individual Grant recipients – a grant supports innovative ideas in the fields of films, design, digital initiative, research, and exhibitions over the past 65 years. 71 creative individuals from across the world were chosen for their inventive ideas and creations that tackle pressing issues on society.