Articles by Diego Hernández

We invite you to participate in the ArchDaily Building of the Year Awards. We ask you to recognize and reward the projects that you feel are creating the largest impact in the built environment, that ArchDaily has published on our projects database in 2021. By voting, you form part of an interdependent, impartial, distributed network of jurors and peers that has consistently helped us celebrate architecture of every scale, purpose, and condition, from countries large and small, and architects of all descriptions. Already 4000 projects have been filtered down to just 75 finalists – representing the best in each project category on ArchDaily.

After 2 weeks of voting in our 13th edition of the Building of the Year Awards, our readers, with over 110,000 votes, have narrowed down over 4,500 projects to just 75 finalists, representing the best architecture published on ArchDaily. With finalists from five continents, this award developed in partnership with Dornbracht demonstrates that the trust placed in us by our readers to reflect architectural trends from regions around the whole world creates challenges that we are eager to rise to.

This video explores the case for understanding buildings as non-human creatures. While this might sound absurd at first, the concept has a long history and potentially very positive tangible outcomes. Buildings need to be cultivated like a garden; they require maintenance and care. If they are alive, the need for this care becomes more obvious and second nature. This conceit also prompts us to empathize with the people that conceived of and built the building, treating the human labor of its construction with admiration and reverie.

It has been a vibrant first week of voting for the Building of the Year Awards. With more than 100,000 votes, gathered up till now, this prize has shown to be, one of the most relevant and democratic in the architecture community.

All buildings move — of course, some more than others. There are a host of design considerations that architects keep in mind that allow for, or even promote movement in almost every building. But some architects fall back on their training as broad-based thinkers and problem solvers to devise solutions that literally roam the earth. From tiny homes on wheels, to train-based educational institutions, to design programs in a truck, sometimes buildings and architecture need to travel to the people it serves or to other environments. This video features a few examples on this spectrum, beginning with how architects typically deal with movement in structures and foundations, to Cedric Price’s Potteries Thinkbelt, and finally Chicago Mobile Makers, a traveling maker workshop for children founded by Maya Bird Murphy.

Architecture and fashion seem like unlikely bedfellows. However, in more ways than one, they are cut from the same cloth. Ancient nomadic tribes lived in shelters made of cloth and animal furs, the very same materials used for clothes. So, clothes and buildings were made from the same craftspeople. Over time, as our constructions filled the basic needs for protecting the human body, these pursuits were elevated into distinct artforms. Today, designers like Virgil Abloh, formally trained as an architect, stitch the two pursuits back together with shows that reference designs by Mies van der Rohe, or jackets filled with puffy 3D buildings. Fashion retail environments also bring space and clothes together, often in thoughtful and interesting ways. This video looks at the history of architecture and fashion and visits a fashion retail store in Chicago called Notre, designed by Norman Kelley.

Buildings are like bodies with organs. When this is the case, with a little extra effort, buildings can be dismantled instead of demolishing them. Dismantling involves carefully removing salvageable components, storing them, and finding them new homes. While this solution is not always possible, it can be part of a sustainable effort that — in addition to keeping material out of landfills — preserves the history and memory embedded within unique materials and fragments. It also honors the human labor invested in our environment. This video explores the reuse of building materials and what it means to be surrounded by fragments with history. It also profiles institutions dedicated to the dismantling and dissemination of building materials, as well as artistic practices that reconfigure our existing built environment including Noah Purifoy and Catie Newell of Alibi Studio. 

Buildings are like bodies with organs. When this is the case, with a little extra effort, buildings can be dismantled instead of demolishing them. Dismantling involves carefully removing salvageable components, storing them, and finding them new homes. While this solution is not always possible, it can be part of a sustainable effort that — in addition to keeping material out of landfills — preserves the history and memory embedded within unique materials and fragments. It also honors the human labor invested in our environment. This video explores the reuse of building materials and what it means to be surrounded by fragments with history. It also profiles institutions dedicated to the dismantling and dissemination of building materials, as well as artistic practices that reconfigure our existing built environment including Noah Purifoy and Catie Newell of Alibi Studio. 

Data shows that many more people are living alone, but the surprising fact is that living alone does not necessarily correspond with an increase in feelings of loneliness. Architecture has been evolving towards increases in privacy and private space for centuries. This video looks at architectural designs that attempt to reverse those trends by designing living scenarios that incorporate more opportunities for public engagement. These include Studio Gang’s City Hyde Park project in Chicago with its angled balconies. But the video goes deeper to look at examples that radically rethink residential architecture, its construction, design, and inclusion of public space.

Adaptive Reuse is an important aspect of managing a sustainable existence. Buildings contain massive amounts of embodied energy and the more we can adapt and repurpose them, the better. Buildings are also repositories of collective memories and histories. As we modify them, these layer in new and interesting ways. This video explores the topic through the case study of ‘The Plant,’ a food incubator in Chicago housed within a former pork processing facility. The building’s location and existing infrastructure made it a perfect candidate for its new purpose. John Edel, the founder of the Plant, has also made every effort to showcase the building’s history and to honor its heritage throughout the process of adaptation.