Articles by Camilla Ghisleni

Imagination and policy development go hand in hand. Before we can create policies that bring about a desirable future, we must first envision what that future looks like, which is particularly significant in Architecture because we see the future as an integral part of the design process. This familiarity with envisioning the future carries a responsibility for us to create guidelines and regulations that can either support or obstruct the direction our planet takes.

A few weeks ago, the Royal Institute of British Architects (RIBA) named the recipient of the RIBA Norman Foster 2023 travel grant. Martha Pomasonco from Peru was awarded for her outstanding project titled “Barrios Mejorados.”

If you follow BIG, you have probably already seen Bjarke Angles talk about hedonistic sustainability and how this concept permeates the most daring projects of the Danish office.

The issue of gender discrimination in architecture is receiving growing attention and discussion. Many instances, including salary discrepancies, disrespect by male employees in construction sites and team management, and the historical oversight leading to women’s lack of recognition are detailed and illustrated. These demotivations mean that, despite being the majority in architecture courses worldwide, only a few women manage to consolidate and gain prominence in the profession.

After years of dominance, orthogonal lines and right angles are giving way to organic designs and rounded shapes within interior design projects. This profound shift in formal language has led to the infiltration of gentle curves and amorphous volumes into design pieces, furniture, and decorative elements, a transformation that’s becoming increasingly evident. Some argue that this change may be indirectly linked to the growing interest in sustainability and the pursuit of strategies that reconnect people with nature, as seen in the consistent presence of biophilia across projects of various scales. The period of social isolation during the COVID-19 pandemic further heightened this inclination, prompting individuals to devise ways to incorporate nature into their living spaces, thereby enhancing well-being in day-to-day life.

In a world of extravagant textures, colors, and flavors, who would have thought that a substance that has no color, no smell, and no taste is precisely the most essential for human existence? Antagonistic in itself, water carries an ambiguity of values and meanings that confer a high degree of complexity sustained by the versatile and soluble profile that distinguishes it in a complex simplicity. In this sense, water, as a source of life, has become an object of devotion and study over time. This has fostered a continuous effort focused on understanding, transporting, and controlling this element.

When asked about his memories of the house where he spent part of his childhood, Finnish architect Juhani Pallasmaa says that more than sight, his memories are based on the smell of the house. According to him, each house has its own smell, which we do not always perceive when we are in it, but immediately recognize upon returning.

“The first man wanted to build a shelter that would cover him without burying him.” With some logs found in the forest, he built a square covered with straw so that neither the sun nor the rain could enter, and thus, he felt safe. The description above refers, in a simplified way, to the theory of the primitive hut developed by the abbot Marc-Antoine Laugier in the mid-1700s. The small rustic hut described by Laugier is a model upon which he imagined the magnificence of architecture. It provides an important reference point for all speculation about construction foundations and represents the first architectural idea.”

Wood is the concrete of the future. As timber construction becomes increasingly popular, you have probably heard this phrase. However, we are not talking about traditional construction techniques using timber, but rather about this well-known material combined with cutting-edge technology.