Articles by Agustina Iñiguez

From Tafí del Valle to San Carlos de Bariloche, the implementation of natural stone in contemporary Argentine architecture reveals the decisions of architects seeking to maintain a dialogue with their surrounding environment and highlight the purity of materials. While stone is one of the oldest building materials, enduring throughout history, its application in homes in Uruguay, Brazil, and Mexico highlights different characteristics in terms of textures, shapes, shades, and patterns.

When designing spaces with reduced dimensions, adopting an efficient configuration and distribution is crucial for the user experience and the smooth development of activities and tasks to be carried out. In the case of bars and restaurants, numerous architecture and interior design professionals strive daily to meet the needs of clients, employees, and employers, considering everything from necessary installations and technologies to services, atmospheres, and furniture suitable for the type of gastronomy to be consumed.

By December 1956, Mario Soto and Raúl Rivarola received the first prize to build four schools in the province of Misiones, Argentina. That was followed by the first prize for the construction of six hostels, the commissioning of the project for the Escuela Normal Superior N° 1 in Leandro N. Alem, and the first prize for the construction of the Instituto de Previsión Social y Hotel in the city of Posadas. Their works in Misiones, developed within the framework of the process of provincialization of the national territories that took place between 1951 and 1955, have provided the opportunity to study themes such as the link between the State and architecture, the connection between technique and politics, state architecture and avant-gardes, the dilemma of styles, among many others.

In the same way that societies transform, times change, and cities evolve, industrial architecture modernizes and technifies, sometimes reaching a state of abandonment or ruin. Understanding its value as a built legacy and being vestiges of technological, social, and cultural changes, the renovation and/or conversion of numerous factories and industrial warehouses can lead to the revitalization, recovery, or growth of various areas in large cities, incorporating new uses and spaces for the enjoyment of their citizens.

From 1987 to 1993, architect Pablo Tomás Beitía set out to transform the former housing complex and rental houses of Argentine artist Alejandro Xul Solar into a museum. The goal was to create a new space that would adapt to exhibition requirements and engage in avant-garde dialogue with the pre-existing structure. Situated in the Palermo neighborhood within the Autonomous City of Buenos Aires, the Xul Solar Museum was designed to serve as a space for cultural encounters. The remodeling and expansion project was conceived by interpreting the artist’s pictorial worldview, maintaining the facade intact, and embracing the painter’s house with a new interior architecture.

On Avenida Corrientes, the Teatro Municipal General San Martín (TGSM) rises between party walls in the heart of downtown Buenos Aires. Designed by Mario Roberto Álvarez and Macedonio Oscar Ruiz in 1954, this building comes to address an artistic and cultural issue common to the large cities of America. It stands as one of Argentina’s most important theaters, providing spaces for theatrical and cinematic performances as well as art exhibitions. Spanning 30,000 square meters, it constitutes a theater complex alongside the General San Martín Cultural Center, operating independently.

The city of Barcelona, along with its metropolitan area, will become a research laboratory as the main venue for the World Congress of Architecture of the International Union of Architects (UIA), scheduled to take place from June 28th to July 2nd, 2026. Its objective is not only for the Congress to be of maximum relevance and interest to the global community of architects but also for real-impact knowledge and practices to emerge in the everyday lives of people and the future of the planet.

With a total of 95 new projects recognized by Prix Versailles, the 24 global winners of this 2023 edition have recently been announced. They stand as evidence of the aesthetic vitality of each of their respective regions, paying homage to the work of numerous pioneering and/or internationally renowned firms.

Covering all regions of the world, the continental winning projects of the 2023 Prix Versailles have been revealed. With 18 selected establishments in the categories of stores, hotels, and restaurants, as well as 15 shopping centers, the projects are grouped into six regions: Africa and Western Asia; Central, South America, and the Caribbean; North America; Central and Northeast Asia; South Asia and the Pacific; and Europe.

Being one of the first construction methods developed by humans, earth has proven its resilience and durability over time. While construction techniques have evolved and been updated over the years, there is still a long way to explore where the understanding of climate, geographic location, sustainability, structural requirements, and other factors determine its degree of application.