Articles by AD Editorial Team

On the island of Bali, Indonesia, the activity of collecting recyclable waste is not institutionalized. Because of that, it attracts people looking for a mean of subsistence, who collect materials in homes and companies to sell them later, by weight. However, the activity is not seen with good eyes by the local population. To improve this image, IBUKU was commissioned by a large company to develop a project that would create healthy, well organized housing compounds for garbage collectors while becoming a mean for social transformation.

As the northern hemisphere says goodbye to the final month of fall and gives thanks for architecture’s splendid (and fulfilling) beauty, the time is ripe for revisiting a selection of canonical projects that look their grandest during “leaf peeping” season. Either the brilliant reds, oranges, browns and yellows of the foliage echo the natural colors of the project’s materials or the reflective properties of ample glass magnify the natural phenomenon. This annual period of transition provides photographers with a “golden” opportunity.

In an exclusive half-hour interview with Graham Stirk, partner at Richard Rogers’ London-based practice RSHP (Rogers Stirk Harbour + Partners), Monocle’s Tom Edwards dives into discussing the complexity of some of the practice’s recent projects. Stirk is best known for designing some of the firm’s iconic London buildings, such as the Leadenhall Building (or “Cheesegrater”) and the more controversial NEO Bankside.

A School of Schools, the theme for the 4th Istanbul Design Biennial, will “use, test, and revise a variety of educational strategies to reflect on the role of design, knowledge, and global connectedness” in Istanbul and around the world. Two calls for ideas—one for “schools” and one for “learners”—have been opened to interested parties.

In 1986, Peter Zumthor completed one of his first projects: a shelter over an Ancient Roman archaeological site in Chur, (Graubünden, Switzerland). Now over three decades old, this film by ArcDog captures the building and the preserved excavations that it sits around with a quiet sophistication. With only timber lamella to allow in light and ventilative air, the project stands as a testament to Zumthor’s sensitive architectural approach.

The Visitor’s Center at Apple’s new Cupertino campus has opened to the public. As the public face of a vast complex designed by Foster + Partners, the independent building is “a uniquely designed architectural extension” of the company’s new headquarters. “With similar aesthetics in staircases, stone walls, and terrazzo floors,” the center’s “cantilevered carbon fiber roof appears to float,” supported only “by stone clad cores and no other extraneous columns for support.”

Following her decision to abandon plans for an OMA-designed, upstate New York museum, artist Marina Abramovic has spoken out in response to allegations that her institute may have improperly utilized funds raised through a crowdsourced fundraising campaign.

If you live in a hurricane zone, how can you construct a home which can withstand and survive some the strongest winds on Earth? In this film, presented by The Verge’s “Home of the Future” series in collaboration with Curbed, designs drawn up by North Carolina-based prefabricated home builder Deltec show a house specifically able to deal with extremely hostile weather conditions. This film demonstrates how it fared against Hurricane Harvey.

The main objective of the BambooU build and design course is to promote bamboo as a green building material, and to provide tools to architects, designers, builders, engineers, and carpenters from all over the world to value this material and increase its use.

Helsinki-based practice AOR have presented designs for a church in the Finnish town of Ylivieska which also doubles as a bridge spanning the Kalajoki River. The proposal, which was awarded a shared third prize in an open competition, intends to “revive the historical role of the church as a dominant building in the river landscape.”