Month: April 2026

Paris’s 19th arrondissement Parc de la Villette is undergoing a major transformation, combining a newly opened urban farm with restored biodiversity as part of a strategy to adapt the 55.5-hectare park to climate change. Masterplanned by Bernard Tschumi in 1982 and opened to the public in 1987, the park stands as a landmark of European modernism in public space design, breaking from the traditional concept of the metropolitan park. With a 15,000-square-meter extension, this major green lung in northeast Paris is reimagining its lawns as a living laboratory for environmental education, where animals, plants, and humans coexist. The extensive renovation follows the addition of Tschumi’s HyperTent in 2022, a hyperbolic paraboloid structure functioning as a new ticket booth on the podium of Folie L4, and marks the park’s most significant transformation since its inauguration.

In recent years, Albania has undergone a rapid and visible transformation, emerging as one of the most active urban environments in Southeast Europe. This growth is not only reflected in the expansion of its built fabric but also in the scale and ambition of new architectural interventions that seek to redefine the country’s image. Across its territory, a series of large developments, cultural institutions, and infrastructural projects are being introduced as part of a broader effort to reposition Albania and its capital, Tirana, within regional and international networks.

The House of Time: Architecture as a Biological Clock – Located in Babahoyo, Ecuador—a city historically and culturally connected to the river—the project responds to a way of life that has gradually become accelerated and disconnected from the natural context and the artisanal processes to which we belong. The House of Time proposes a place where domestic living can coexist with collective learning. Time is understood through inhabitable cycles: the river, craftsmanship, and shared experiences.

Brick House is a recently completed private residence located in the heart of Pune’s dense urban fabric. Occupying a compact footprint of 4500 square feet, the design is a considered response to the spatial constraints and climatic challenges of its context. The project is rooted in a conscious reinterpretation of traditional Indian architectural principles while integrating a restrained material palette and passive design strategies suited for contemporary urban living.

Curly Cube is a modular public art installation that transforms public spaces into vibrant hubs for social interaction and engagement. Set in a park along Shanghai’s Huangpu River, the installation features a seamless, curvilinear form crafted from tensile membranes stretched over lightweight 2-meter square frames. Inspired by the Gyroid minimal surface, the design combines visual fluidity with material efficiency, creating a striking and sustainable structure.

bamboo joinery and passive ventilation define the closed-loop building system.

The post mud, bamboo, and tin craft a climate-responsive vernacular home in rural bangladesh appeared first on designboom | architecture & design magazine.

This residence was designed for a client who relocated from the city to a rural highland area with the intention to work remotely. The site is characterized by a gentle slope that runs from the west side, which faces a road, to the east before dropping sharply. A small stream flows below, forming a modest valley. As a result, there is a significant distance between the residence and the nearest house, located across the valley, and the view on this side is marked by trees that cascade down the slope in a dense, layered arrangement. To make the most of these surroundings, the southeast corner of the residence was designed to accommodate a large picture window.

In the upper part of the town of Valle de Bravo, Casa Valle is built on a terrain with irregular topography and complex polygonal features. After a steep ascent, vertical planes of glass, steel, and wood emerge between pine trunks. Above them, a concrete platform projects in front of the tree canopies, hovering over a rocky slope with its vegetation.

The project explores a specific mode of architectural intervention based not on the incorporation of complex technology, but on the precise reinterpretation of traditional construction systems to generate new spatial, environmental, and programmatic conditions. The central operation, entitled Tejar cielo, consists of constructing an active roof plane from a single system, combining opaque ceramic tiles and glass tiles without altering the geometric or constructive logic of the whole. The roof ceases to be a mere enclosing element and becomes a device capable of filtering natural light, registering the passage of time, and defining a changing atmosphere for the space it shelters.

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