This weekend retreat is set within a mountain forest, designed as a grounded place of dwelling immersed in nature. Typically, mountain vacation homes are elevated on slopes to offer stunning views, but through dialogues with the client, it became evident that being close to the ground, without detachment from nature, was more important than floating for the view.
Sailom House is a four-story home that accommodates members from three families. Anonym designs the inside to look and feel like a service apartment with functional spaces that each family member can use freely and separately on each floor. The first floor consists of common areas such as the living room and kitchen, while the upper floors house bedrooms, more living areas, and small pantries. Every story is linked together via two internal courtyards that open up into the void, running from the ground to the fourth floor.
‘flying vegetation’ integrates urban agriculture through a planted facade that filters sunlight and breezes.
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CB Apartment is an exercise in spatial reorganization that transforms construction pathologies into opportunities for conscious design. The intervention investigates the relationship between matter, light, and shadow through the selection of materials and elements—metalwork as planes of interruption and visual continuity; terrazzo as a surface of contrast and continuity between interior and exterior; fabrics, bricks, and glass as mediators of integration with the built environment—through which spatial perception shifts during the day.
the project creates a sequence of movement, framed views, and moments of pause within the coastal valley.
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The former Assembleia da Granja occupies an entire block in the centre of Praia da Granja. Built in the late 19th century, it emerged from the summer life of the time and became a reference point in the social landscape of the place. Figures such as King Carlos I, Queen Amélia, Eça de Queirós, Camilo Castelo Branco, and Sophia de Mello Breyner were regular visitors. Ramalho Ortigão called the Granja “the most glorious, the freshest, the cleanest of Portugal’s seaside resorts”.
The owners of this home in Surrey, England, describe their new kitchen as not only visually stunning but highly practical too. This blend of beauty and functionality is the work of kitchen designer Darren Taylor of Searle & Taylor, who has expertl…
The owners of this home in Surrey, England, describe their new kitchen as not only visually stunning but highly practical too. This blend of beauty and functionality is the work of kitchen designer Darren Taylor of Searle & Taylor, who has expertl…
On November 10, 1943, the city of Recco was destroyed forever. Twenty-two bombers of the British Royal Air Force dropped 33 tons of explosives, attempting to demolish the railway bridge, an iconic element of the town and a crucial point for the supply of Nazi-fascist troops. The bombing caused the deaths of numerous civilians and almost completely destroyed the characteristic Ligurian village. The town was razed to the ground. On November 11, the landscape around the railway bridge bore the spectral image of one of the most picturesque villages on the Levante coast: Recco was now only a memory, with only a few houses and a few scattered monuments left intact. During the years of reconstruction, some renowned architects were called upon to revive the town, including Luigi Vietti, the designer of the Town Hall building. Among the victims of the bombing was a large part of a beautiful Franciscan complex dating back to the 1400s, of which the church was almost entirely destroyed.
Twenty meters tall and four thousand years old, the Western Deffufa towers over the adjacent date orchards and ancient city remains in the desert. It is a former religious and administrative building near the modern-day Sudanese town of Kerma. Its significance is not only in its age and size, but also in that it is one of the oldest mud brick buildings in the world. And as the nearby mud brick houses also attest, earth is a material of continuous use from ancient times to the present. Yet, conversations around contemporary building systems have largely ignored this essential material. Some architects on the continent of Africa, however, are changing that.
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