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Santiago Calatrava tops UAE Pavilion at Dubai Expo with 28 opening wings

October 1, 2021 Tom Ravenscroft 0
UAE Pavilion at Dubai Expo 2020 by Santiago Calatrava

Spanish architect Santiago Calatrava has created a pavilion informed by the shape of a falcon’s wing for the UAE at the Dubai Expo 2020, which opens today. Designed “as a symbol of the UAE’s pioneering spirit”, the host nation’s pavilion stands near the centre of the expo site alongside the Adrian Smith + Gordon Gill-designed central

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Kaltensteinhalle – Timber Sports Hall / Dietrich | Untertrifaller Architekten

October 1, 2021 Pilar Caballero 0

The new sports hall at the Alter Postweg in Vaihingen an der Enz (Baden-Württemberg) is designed as a compact, functional and very economical timber element construction. Only the parts in contact with the ground are made of reinforced concrete. It is divided into a three-field sports hall with spectator area, a three-storey functional area and a multi-purpose wing with foyer. All functions are united under one roof.

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How Architecture Depends on Photography

October 1, 2021 Stewart Hicks 0

Architecture and photography are deeply dependent on one another. The first photograph ever taken frames buildings as its subject. Even more, it took an entire room to produce the image through a camera obscura. In the early days, buildings were one of the few subjects that could sit still for the 8 hours it took to burn an image onto a photosensitive medium. However, architecture is dependent on photography too. Buildings are large, slow, and immobile. Without photographs, it would be difficult to visit the important structures around the world. In this way, photographs are an easily shareable surrogate for buildings. But, photographs are not truthful 1:1 depictions so photographers have a lot of agency when it comes to how we experience architecture. This video offers some insight into this relationship and presents a few photographers as examples for how they interpret an architect’s intentions and add their own voice. These include Julius Shulman, Ezra Stoller, Stephen Shore, Iwan Baan, among others.

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Santiago Calatrava unveils Qatar Pavilion at Dubai Expo 2020

October 1, 2021 Jane Englefield 0
Dubai Expo 2020 Qatar Pavilion

Spanish architect Santiago Calatrava has designed a curved structure that pays homage to Qatar’s coat of arms for the country’s pavilion at Expo 2020 Dubai. Calatrava’s Qatar Pavilion opens today with the rest of Expo 2020 Dubai, which was rescheduled last year due to the coronavirus pandemic, and will now take place until March 2022.

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Untitled combines clean lines and time-honoured materials in calming beachside home

October 1, 2021 Ali Morris 0
Still Life house by untitled [design agency]

Canadian design studio Untitled [design agency] has used materials that will age gracefully, such as limestone and fir woods, to create a calm ambiance within its renovation of this Vancouver home, which has been shortlisted for a Dezeen Award. The 223-square-metre duplex residence, called the Still Life house, is located in the beachside neighbourhood of

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A Display of Ideas and Visions: The Temporary Architecture of Biennales, Festivals and World Expos

October 1, 2021 Andreea Cutieru 0

Architectural events like biennales, urban festivals or the World Expo provide a framework for research and experimentation, allowing architects to showcase their visions on an international stage, with the aim of advancing the practice and driving innovation. World Expos, in particular, allow for these lines of inquiry to unfold at an architectural scale rather than that of an installation. Within these platforms for discourse and knowledge exchange, temporary architecture becomes a medium for communicating ideas about architecture and the city, its challenges and possible lines of development.

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Hazel Hare Center for Plant Science / 180 Degrees Design + Build + colab studio

October 1, 2021 Andreas Luco 0

Walls and fences are typically used to keep people and areas separate, but at the Desert Botanical Garden an unusual series of structures actually brought people together. We combined wood, concrete, steel, stone and block to create a variety of richly textured and highly functional separators that both physically divided and visually connected open spaces. The Garden also needed a means to separate the “front of house” from “back of house” operations at the Horticultural Center, while allowing the public some degree of access and understanding of the building’s purpose and innovation. Many less interesting designs languished on the boards until Salenger conceived a Great Wall of boulders and gabions that were not only functional, but gave garden volunteers an opportunity to get involved as well.