The coronavirus crisis means we’re spending more time indoors than ever before, so Dezeen’s Natasha Levy has selected 10 films with stand-out interiors that can offer some escape from your own four walls. The Grand Budapest Hotel, 2014 The snowy mountaintops of a fictitious country in Eastern European is the backdrop for The Grand
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This is a house in a quiet residential area in Nishinomiya. The area around this site is lined with old houses, and you cannot see the scenery in the distance. The planting in the north adjacent area is a blindfold for the next house. We planned to have a courtyard by taking advantage of the long sites north and south. The south side of the road has a two-story structure, and the height of the building decreases toward the north.
This article was originally published on Common Edge.
Head shops, born during the counterculture movement of the 1960s, were legally mandated to only sell products for use with legal substances. This influenced a tradition of delightfully surreptitious shop names and bright, far-out signage welcoming potential customers to a safe space, while staying within the law. From the cartoon apple with marijuana leaves as stems gracing the sign at Adam’s Apple in Chicago, to the simple block-lettered neon sign at The Fitter in Boulder, the tradition of odd, cool, freeform, blocky, colorful lettering spelling out fun and hardly clandestine shop names has offered sanctuary for those searching for the sub- and counterculture for half a century.
the design generates a variety of permeable spaces, connecting the open-plan interior to the natural landscape.
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The project began with a client’s request to create a space for Japanese brand LeTAO that would tie seamlessly with the local neighbourhood and meet the brand’s reputation for excellence.
Floor Plan Croissant is a project directed by Boryana Ilieva founded to examine cinematographic spaces and bring the spatial language of the director to her own architectural understanding. However, later these translations took a social turn: as an architect and cinema lover, Boryana perceives a general gap between cinema and architecture, or in other words, a space that allows architects to explore beyond the screen. With this in mind, her work is based on extracting the plans from the main protagonist places in outstanding films, since she believes that a movie theater plan forms a phantom matrix around which the directors not only construct arguments, but rather they also place hidden messages.
The Memorial Hall is dedicated to the deeds of the martyrs who rest in the adjacent cemetery in the city of Chishui, in Guizhou province. The cemetery complex is organized around a main west-east axis; the oblique cut in the southern part of the new building and its main entrance staircase’s orientation highlight this axis, paying respect to the old cemetery complex. Added in 2012, the Memorial Hall is located on the northern side of the main cemetery axis, on a Danxia stone hillside with an elevation difference of about 10 meters. Danxia is the local red stone, typical of the Chishui area, whose color is given by an accumulation of reddish sandstone.
designed by 3XN as ‘a workplace of the future’, the recently completed building provides a variety of dynamic office spaces.
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Home is not merely a house or container of trivial things in daily life, but more a place that accommodates emotions and love. It’s like an intimate medium, which witnesses the interweaving of daily life and growth, records stories occur in the space, and conveys the occupant’s personality and attitude.
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