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Architects, not Architecture: Sadie Morgan from dRMM

April 29, 2020 Diego Hernández 0

Architects, not Architecture decided to open their archive to help us cope with the current situation of not being able to go out as usual and create a source of inspiration and entertainment through sharing one of the unique talks from their previous 35 events, which have never been published before – including those of architects like Daniel Libeskind, Tatiana Bilbao, Peter Cook, Richard Rogers, Massimiliano Fuksas, Kim Herforth Nielsen, Ben van Berkel, Benedetta Tagliabue, Anupama Kundoo, Sadie Morgan, Dan Stubbergaard, Manuelle Gautrand and Kjetil Thorsen,

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National Memorial Arboretum’s Remembrance Centre / Glenn Howells Architects

April 29, 2020 Paula Pintos 0

The new Remembrance Centre embodies purity of form, employing both modern and classical architectural precedents. The building engages materially with its environment, chiming with the existing structures that define the NMA and harnessing a soft material concept of larch timber and natural stone. This provides a calm and rational architectural language that compliments the NMA as a place of reflection and memorial.

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Five luxury villas around the world by French interiors studio Liaigre

April 29, 2020 Amy Frearson 0
Luxury Villas by Liaigre: Engadine, Switzerland

Parisian studio Liaigre has found a “new energy” since the departure of founder Christian Liaigre. Here’s a look at five new interiors projects, including a modern palace in New Delhi and a ski lodge in St Moritz. Christian Liaigre led his interior design studio for 35 years, creating homes for the likes of Calvin Klein

The post Five luxury villas around the world by French interiors studio Liaigre appeared first on Dezeen.

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“I See My Work as Autobiographical”: In Conversation with Li Hua of TAO

April 29, 2020 Vladimir Belogolovsky 0

Architect Li Hua was born in 1972 in China. He studied architecture at China’s leading school, Tsinghua University, from which he received his bachelor’s (1994) and master’s (1997) degrees. He continued his studies at Yale University, graduating with his second Master of Architecture in 1999. Hua then stayed in the US, practicing in New York at Herbert Beckhard Frank Richlan & Associates. The firm’s founders used to be partners at Marcel Breuer office before starting their own practice in the early 1980s. This experience introduced Hua to dealing with masonry and precast concrete, while working on cultural and educational projects in the New York area. Returning to Beijing in 2003, Hua established Universal Architecture Studio (UAS) with his former classmate at Tsinghua. Parallel to that, he started his teaching career – first at the Central Academy of Fine Arts, CAFA and then at his Alma Mater. In 2009, Hua left the partnership and established his own practice, Trace Architecture Office, TAO. His studio currently numbers about twenty architects. TAO’s most prominent built projects include Huandao Middle School in Hainan province (2018), Xinzhai Coffee Manor in Yunnan (2018), Wuyishan Bamboo Raft Factory in Fujian (2013), and Museum of Handcraft Paper in Yunnan (2010). The architect won many prestigious honors and was shortlisted for the 2013 Aga Kahn Award. The following interview was conducted at the architect’s office in Caochangdi Village, a thriving arts and culture hub on the outskirts of Beijing.

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What Can We Do to Overcome (or Avoid) the Next Crisis in Architecture and Construction?

April 29, 2020 Equipe ArchDaily Brasil 0

Almost two months have passed since the quarantine regime started in several countries as a strategy to reduce the transmission rate of the coronavirus. Since then, a considerable part of the architecture professionals has started to adopt telework or home office, keeping up with the projects that have already started, supported by a number of new online meeting tools, document storage in the cloud and BIM models.

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Atelier Audemars Piguet Museum / BIG

April 29, 2020 Paula Pintos 0

In 2014, BIG (Bjarke Ingels Group) won the architectural competition Audemars Piguet hosted to expand its historical premises. The firm designed a contemporary spiral-shaped glass pavilion to complement the company’s oldest building, where Jules Louis Audemars and Edward Auguste Piguet set their workshop, technically a start-up of the old times, in 1875. This architectural combination symbolises the blend of tradition and forward-thinking at the heart of Audemars Piguet’s craftsmanship while honouring its deep-rooted origins in the Vallée de Joux. BIG’s high-concept spiral, seamlessly rising from the ground, offers a pristine setting for the masterpieces of technicity and design which have taken shape, year after year, in this remote valley of the Swiss Jura Mountains.