The House of Knowledge is part of the 20 Bookhouses Initiative, envisioned to enrich community life across the rapidly growing metropolis of Xinyang, a city of 12 million in Henan Province, central China. Located in Yangshan Park, the project consists of two buildings: a community library with an exhibition hall and a tea house. Between them stretch three small lakes, embedded in a biodiverse landscape and surrounded by the urban fabric.
The new Prodis headquarters is located in old industrial buildings that were originally part of the Vapor Cortès. The buildings are made up of the traditional perimeter structure of ceramic brick load-bearing walls following a regular rhythm of pilasters and openings every 3 meters. The 12-meter span of the buildings is covered by wooden trusses -some quite affected by roof leaks- that follow the same rhythm as the pilasters. The roof also follows the traditional structure of wooden straps and battens topped with Arabic tiles.
A very small bookstore began by the banks of Nanjing’s Qinhuai River. The owner’s philosophy is to leave the bookstore to its guests as much as possible, providing a warm place for different people at different times. The shop’s staff are four adopted stray cats, and the walls are covered with message postcards. The books in the store initially came from the owner’s old collection, and as guests increased, new and used books were donated one after another.
The Youth 2 Independence Campbell Street project (Y2I) reimagines social housing for young adults. At its core, it provides accommodation for youths interwoven with Community Hub support, social activities, and life-long learning opportunities.
The Toronto Indigenous Hub emerges as an urban landmark where architecture, healing, and reconciliation intertwine in an unprecedented comprehensive proposal. Located in the Canary District, this 40,000 m² development occupies an entire block and integrates an Indigenous Community Health Center, two mid-rise residential buildings —Canary House and Birch House, with a total of 400 homes—, the Miziwe Biik Training Institute, a civic plaza, and the Indigenous Peoples Garden Patio. It is a carefully designed urban ecosystem aimed at serving and strengthening Toronto’s urban Indigenous community, estimated at around 70,000 people.
The Xinhepu Historical and Cultural Precinct is imbued with rich historical layers and urban memories. This enhancement initiative deliberately avoids large-scale demolition and reconstruction. Instead, it follows a strategy of “micro-regeneration and refined enhancement,” focusing on reconnecting the precinct’s spatial network. Guided by the “one building, one tailored solution” to architectural restoration and driven by the goal of improving everyday livability, the project employs meticulous craftsmanship and techniques. The ultimate aim is to foster a vibrant precinct where historical character and contemporary life exist in symbiosis.
Hidden in the rich tropical vegetation of southern Haiti, the project consists of a community centre for the rural community of Bercy-Cavaillon, as well as the office of the local farmers’ association APTEKKA. This is the only shared facility in this remote area, conceived as a place for training, cultural events, collective gatherings, and rest.
The Temple of Darkness Bakhoor Bakhoor by Bunga Design Atelier is an outdoor experiential installation – a contemporary temple born from smoke, scent, and silence. Inspired by the ritual of burning bakhoor, where fragrant wood releases sacred fumes into the air, the piece reimagines the temple as a space of reflection rather than worship, of darkness rather than light.
The Temple of Darkness Bakhoor Bakhoor by Bunga Design Atelier is an outdoor experiential installation – a contemporary temple born from smoke, scent, and silence. Inspired by the ritual of burning bakhoor, where fragrant wood releases sacred fumes into the air, the piece reimagines the temple as a space of reflection rather than worship, of darkness rather than light.
The Temple of Darkness Bakhoor Bakhoor by Bunga Design Atelier is an outdoor experiential installation – a contemporary temple born from smoke, scent, and silence. Inspired by the ritual of burning bakhoor, where fragrant wood releases sacred fumes into the air, the piece reimagines the temple as a space of reflection rather than worship, of darkness rather than light.
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