Architecture

Buildings associated with death, conceived or inspired by funerary rituals and practices, have given rise throughout history to some of architecture’s most significant achievements. The desire to preserve memory has always inspired the design of funerary spaces that explore territories of ambiguity: between earth and sky; light and matter; the telluric and the ethereal; the present and the timeless. In their materials, textures, scales, and forms, these buildings resist the passage of time and assert themselves as timeless constructions.

This 2008 Colonial in Vienna, Virginia, had a kitchen that felt stuck in the past. Short white cabinets and a busy tile backsplash clashed with the home’s updated interiors. The homeowners, who had previously worked with Winn Design + Build on a spaci…

drawing on the tradition of the architectural folly, the pavilion reimagines the historic garden typology as a contemporary gathering space.

The post MARC FORNES / THEVERYMANY’s cocooned aluminum pavilion rises in north carolina park appeared first on designboom | architecture & design magazine.

Lantern House sits quietly among the oaks of Austin’s Bouldin Creek; a study in light, material, and restraint. The design transforms a densely wooded urban lot into a private sanctuary, where filtered daylight and layered transparency define the rhythm of daily life.

Lantern House sits quietly among the oaks of Austin’s Bouldin Creek; a study in light, material, and restraint. The design transforms a densely wooded urban lot into a private sanctuary, where filtered daylight and layered transparency define the rhythm of daily life.

Smiljan Radić Clarke, the 2026 Pritzker Prize winner, is a contemporary Chilean architect known for his experimental approach to design, with a practice that balances the elemental with the intimate, the monumental with the fragile. Over the course of more than three decades, Radić has developed an architecture that resists repetition and conventional stylistic categorization, favoring instead deeply site-specific, materially attuned, and culturally reflective interventions.

Smiljan Radić Clarke, the 2026 Pritzker Prize winner, is a contemporary Chilean architect known for his experimental approach to design, with a practice that balances the elemental with the intimate, the monumental with the fragile. Over the course of more than three decades, Radić has developed an architecture that resists repetition and conventional stylistic categorization, favoring instead deeply site-specific, materially attuned, and culturally reflective interventions.

The 2026 Pritzker Price Award has been awarded this year to the Chilean architect of Croatian descent, Smiljan Radić Clarke. Born in Santiago, Chile, in 1965, his practice evokes a geography of extremes, shaped by the tectonic tension between the staggering weight of the Andes and the seismic instability of the territory. After graduating from the Pontifical Catholic University of Chile and pursuing further studies in aesthetics in Venice, Smiljan Radić Clarke established his base in Santiago. From there, he has developed one of the most singular visions in contemporary architecture. His work privileges the intensity of the moment through a fragile architecture. Within it, the building operates as a temporary and tactile refuge that places the spectator in a state of aesthetic uncertainty, oscillating between ancestral ruin and avant-garde artefact.