Architecture

185 Yongkang Road formerly was a 60-square-meter street dinner. During our first site visit in November 2018, The venue itself did not leave us a particularly deep impression. The only intuitive feeling is that the venue is long and narrow. In December, client decided to use this venue for a vintage houseware gallery, named ‘Single Person’.

Lightness and solidity, exposure and retreat. On the easternmost reaches of Waiheke Island, a house occupies the crest of a ridgeline – permanence in an otherwise shifting landscape.

Above the Pacific coastline of Costa Rica, pavilions unfold around a garden and connect beneath a single floating roof. Nature becomes the pathway, guiding movement between views of ocean, forest, and sky.

Set at the edge of a clearing for the photovoltaic array that powers the main cottage on the site, Cardwell Clubhouse is an off-grid hybrid building that is part utility and part leisure hub. Designed by Dubbeldam Architecture + Design for an outdoors-oriented family who spend much of their time on the site immersed in nature and active pursuits, the clubhouse functions as the site’s central social and activity hub. It combines a multipurpose clubhouse room – doubling as a flexible guest suite – with a garage that stores outdoor leisure equipment for activities like racquet sports, cross-country skiing, snowshoeing, and more. An adjacent outdoor court for tennis, basketball, and pickleball (created in the clearing necessitated by the solar array), along with areas for bocce, horseshoes, and children’s games, reinforce the clubhouse’s role as a destination for gathering and play.

the paris-based architect discusses how his excavatory approach transforms buried memories and site research into a radical architectural blueprint for tomorrow.

The post ‘architecture begins from the memory of a place’: tsuyoshi tane on archaeology of the future appeared first on designboom | architecture & design magazine.

A shower-tub combo remains one of the smartest setups in bathroom design, offering dual function in a compact footprint while ensuring a home retains at least one bathtub for bathing kids, relaxing soaks and added resale appeal. The four bathrooms fea…

On the slope above the Krkonoše village of Strážné, a timber log cottage once stood. It was swallowed by the era of mass recreation, along with respect for ownership, craftsmanship, people, objects, and nature. The original house was concealed beneath layers of alterations, extensions, and makeshift additions, poor repairs, and artificial panel cladding. Unfortunately, almost nothing of the original cottage remained worth saving. The small amount of preserved original structures was, for the most part, in poor technical condition. Rather than merely preserving its material substance, the aim therefore became to rediscover the spirit of the house.

Cultural centers continue to serve as a productive ground for unbuilt architectural exploration, reflecting how architects are rethinking the role of public institutions in relation to landscape, experience, and program hybridity. In this Unbuilt edition, submitted by the ArchDaily community, the selected projects bring together a range of proposals that expand the definition of the cultural center beyond a singular building. These works position architecture as a spatial framework that mediates between research, exhibition, retreat, and public life, often embedded within or distributed across natural and urban contexts.

The house is located on a wide plain by the coast of the North Sea. An old log house forms the core of a new detached house for a young family with small children.

Japanese architect Kengo Kuma and his studio Kengo Kuma & Associates (KKAA) have unveiled Earth | Tree, a site-specific installation at Copenhagen Contemporary, developed in collaboration with Danish wood manufacturer Dinesen. Opened on March 28, 2026, as part of the institution’s CCreate programme, the project occupies a former industrial hall, introducing a spatial intervention defined by timber, brick, and light. Led by partner Yuki Ikeguchi, with team members Asger T. Taarnberg, Nicolas Guichard, and Yasemin Shiner, the installation marks KKAA‘s first exhibition in Europe and situates the studio’s material-oriented practice within an exhibition format.