Good Finance Taichung Downtown Branch / Snøhetta
Snøhetta’s design for Good Finance’s Taichung office branch articulates the firm’s ambition to redefine the culture of finance into one that is open, inclusive, and nurturing.
Snøhetta’s design for Good Finance’s Taichung office branch articulates the firm’s ambition to redefine the culture of finance into one that is open, inclusive, and nurturing.
In the master plan of the Indian Institute of Technology Hyderabad (IITH), a residential zone with clustered student dormitories is located at the northern edge of the campus. Adjacent to this area, a group of facilities supporting athletic and cultural activities is planned as the Sports and Cultural Complex. The complex forms part of the broader campus development realized through a collaboration between the Japanese government and IITH, led by the IITH Campus Design Team at the University of Tokyo, with Hidetoshi Ohno and Yoshiyuki Kawazoe as key members.
The Haining Nature Exhibition Center is a comprehensive public building within the Haining International Flower Industry Park. It can serve as an experience hall for organizing agricultural exhibitions in the park, as well as undertaking industrial docking activities and other functions. It can become a cultural and artistic center for the future development of the surrounding area. The Natural Art Exhibition Center, as a venue for various industrial activities, information exchange conferences, and cultural and artistic exhibitions, is not only an important space for showcasing the achievements of rural industrial revitalization, but also a combination of pastoral art and life culture.
A house is often a portrait of the people who live in it. In many Indian families, the woman of the house spends much of her time looking after others; planning meals, watching over everyone’s health, and keeping the household steady. What she rarely has is the chance to sit with her family and share the time she helps create for them. This became clear in our first meeting, and it shaped how the design began to take form.
the japanese engawa is reworked in accra, ghana, as the limbo museum’s unfinished concrete structure sees an installation by TAELON7.
The post inspired by the japanese engawa, a new installation opens at accra’s limbo museum appeared first on designboom | architecture & design magazine.
the japanese engawa is reworked in accra, ghana, as the limbo museum’s unfinished concrete structure sees an installation by TAELON7.
The post inspired by the japanese engawa, a new installation opens at accra’s limbo museum appeared first on designboom | architecture & design magazine.
This project is born as a retreat space, conceived from introspection. A personal and private spa in the mountains of Tapalpa, where the architecture deliberately renounces the idea of a façade: there is no gesture towards the outside, no frontal composition. The building seeks not to be seen, but to be inhabited.
chilean architect smiljan radić clarke receives the 2026 pritzker architecture prize for his atmospheric, material-driven architecture.
The post pritzker prize awarded to chilean architect smiljan radić clarke appeared first on designboom | architecture & design magazine.
Buildings associated with death, conceived or inspired by funerary rituals and practices, have given rise throughout history to some of architecture’s most significant achievements. The desire to preserve memory has always inspired the design of funerary spaces that explore territories of ambiguity: between earth and sky; light and matter; the telluric and the ethereal; the present and the timeless. In their materials, textures, scales, and forms, these buildings resist the passage of time and assert themselves as timeless constructions.
Buildings associated with death, conceived or inspired by funerary rituals and practices, have given rise throughout history to some of architecture’s most significant achievements. The desire to preserve memory has always inspired the design of funerary spaces that explore territories of ambiguity: between earth and sky; light and matter; the telluric and the ethereal; the present and the timeless. In their materials, textures, scales, and forms, these buildings resist the passage of time and assert themselves as timeless constructions.
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