Articles by Maria-Cristina Florian

Every August, the Black Rock Desert in Nevada transforms into a vibrant city for Burning Man, a week-long festival that culminates in the ceremonial burning of a large wooden effigy. Established in 1986, the festival is renowned for its unconventional art installations and striking desert setting. While varied in their expression, the installations follow a central theme of the year. For this edition, the title “Curiouser & Curiouser” takes inspiration from the Mad Hatter from Lewis Carroll’s Alice in Wonderland, prompting participants to engage with wonder and embrace the whimsical and mysterious. This year’s central temple installation is designed by Caroline Ghosn to represent togetherness and mutual respect. Following a Burning Man Tradition, the temple design is selected following an international competition.

WilkinsonEyre has unveiled their proposal to revitalize the 1950s constructivist Belgrade Fair Hall 1, a landmark location overlooking the river Sava. The project is set to transform the exhibition hall into a mixed-use destination comprising three cultural venues and retail spaces, in addition to redesigning the waterfront park. WilkinsonEyre’s design incorporates light-touch interventions to the existing building, as it strives to respect and highlight the architectural qualities of the existing structure, such as the exposed concrete soffit or the unique shape of the building.

Foster + Partners has revealed the design of a new 54-story mixed-use tower to take shape in Miami. Set to become the new headquarters for the hedge fund Citadel, the tower is expected to feature 34 floors of office space and 212 hotel rooms on its upper levels, in addition to supporting retail spaces. In addition to Foster + Partners listed as the design architect, AAI Architects is the architect of record, and Field Operations is the landscape architect. The tower is expected to break ground in 2025, according to Citadel.

Foster + Partners has revealed the design of a new 54-story mixed-use tower to take shape in Miami. Set to become the new headquarters for the hedge fund Citadel, the tower is expected to feature 34 floors of office space and 212 hotel rooms on its upper levels, in addition to supporting retail spaces. In addition to Foster + Partners listed as the design architect, AAI Architects is the architect of record, and Field Operations is the landscape architect. The tower is expected to break ground in 2025, according to Citadel.

The team led by Henning Larsen, in collaboration with Ramboll, Cistri, Gehl, Participate in Design, and Camphora has won the commission for the master plan consultancy to design Singapore’s North-South Corridor’s surface streets. The project proposes an expansive urban transformation, aiming to integrate public transport, active mobility, community-focused spaces, and greenery along the 21.5km corridor. Local communities and stakeholders are also actively engaged in the design process through public engagement sessions. The initial master plan design is set to continue into 2026, over the next 18 months.

Dating from the1940s, the air raid shelter in Hamburg’s St. Pauli district has been reimagined as a „green mountain,” with expansive gardens covering the top of the wartime structure. Known as the Hochbunker, translated as ‘high bunker,’ the location has undergone a substantial restoration and refurbishment process introducing restaurants, event spaces, and a hotel, together with a rooftop urban park. The bunker has opened to the public on July 5, 2025, with the purpose of reconnecting the community with the iconic structure and its complex history.

The Price Tower, Frank Lloyd Wright’s only realized high-rise building, and a beloved landmark in Bartlesville, Oklahoma, has been going through a financial controversy, with recent developments announcing an October auction, as revealed by the Bartlesville Examiner-Enterprise. Designed in 1952, the tower was commissioned by Harold C. Price, Sr., as a multipurpose tower for commercial and residential use.

Educational and cultural centers serve as pivotal spaces where communities engage with knowledge, creativity, and shared experiences. As architectural programs, they offer unique opportunities to explore how physical environments can foster learning, cultural expression, and social interaction. The significance of these projects lies not just in their function but in how they reflect the values and aspirations of society. When established architecture firms take on these projects, their design choices become a lens through which we can examine contemporary approaches to space, place, and community, offering a glimpse into the evolving role of architecture in shaping educational and cultural landscapes.

In Beirut, the Interdesign Building stands as a striking yet enigmatic structure. Never used since its conception in 1973, the building was designed by Lebanese architect Khalil Khouri and, in some ways, it represents a physical testament to the region’s hopes and struggles. During the inaugural edition of We Design Beirut, the exhibition “All Things Must(n’t) Pass: A Subjective Recount Of Khalil Khouri’s Life And Career As A Designer” opened the building to the public, aiming to tell the story of its architect, Khalil Khouri, through the lens of his son and grandson, Bernard and Teymour Khoury. On this occasion, ArchDaily’s Editor in Chief, Christele Harrouk sat down with Bernard Khoury at his DW5 office to discuss the life of his father and a little-known chapter of Lebanese architectural history.

Built in 1971, the Rothko Chapel in Huston, Texas, was conceived as an intimate sanctuary for people of every belief, while in front of the chapel, Barnett Newman’s sculpture “Broken Obelisk” stands in memory of Dr. Martin Luther King Jr. In 1964, Mark Rothko was commissioned by John and Dominique de Menil to create a meditative space for his site-specific paintings. Rothko’s vision clashed with that of the initial architect, Philip Johnson, over the scale and grandiosity of the building, which he felt distracted from the art. The project underwent several revisions with different architects, including Howard Barnstone and Eugene Aubry. Now officials have announced the indefinite closing of the chapel, after having sustained severe damage during Hurricane Beryl, the Category 1 storm that hit Houston on July 9.