The Lisbon Architecture Triennale published on Vimeo the series of debates Talk, Talk, Talk held during its 5th edition, which was curated by Éric Lapierre. Divided into five major exhibitions, the Triennale addressed in one of them the issue of economy of means, discussed in the debates below.
Repurposing a building is not a simple task. Not only does it require keen sensitivity to identify and acknowledge the historical value of pre-existing elements – thereby deciding what will endure over time and what will be replaced by new features, consistent with the current program – but it is also a strategy that pushes the boundaries of design and embraces issues such as sustainability and resource efficiency. After all, we are speaking of recycling a structure, or parts of it, and this impacts both design and the environment.
An axonometric perspective, also called parallel projection or axonometry, is an orthographic projection on an oblique plane as a means of representing three-dimensional objects. It is a very efficient way to illustrate a project since it can represent not only conceptual schemes but also construction details in a very didactic style. It allows us to change the position of the viewer when rotating the axes and thus generating several visual combinations of the design, that can help answer any questions the contractor or client may have.
An axonometric perspective, also called parallel projection or axonometry, is an orthographic projection on an oblique plane as a means of representing three-dimensional objects. It is a very efficient way to illustrate a project since it can represent not only conceptual schemes but also construction details in a very didactic style. It allows us to change the position of the viewer when rotating the axes and thus generating several visual combinations of the design, that can help answer any questions the contractor or client may have.
Almost two months have passed since the quarantine regime started in several countries as a strategy to reduce the transmission rate of the coronavirus. Since then, a considerable part of the architecture professionals has started to adopt telework or home office, keeping up with the projects that have already started, supported by a number of new online meeting tools, document storage in the cloud and BIM models.
The growing global coronavirus pandemic (COVID-19) will definitely cause profound aftermaths on society, including how people relate to each other and in public spaces. Pursuing to reduce the infection rate, governments and authorities all over the world have instructed citizens to stay at home safely, while applying hygiene practices and avoiding any unnecessary contact.
Everyday, the theme of the XII International Architecture Biennale of São Paulo, Brazil, proposed by the curators Vanessa Grossman, Charlotte Malterre-Barthes and Ciro Miguel, seeks to reveal architecture and space through everyday life. Architects and urban planners have long aspired to design total environments, civilizations, even the planet. However, in the current climate of political and economic uncertainty, occurring against the backdrop of unprecedented environmental impacts wrought by rapid technological development, design professionals have begun to acknowledge the vulnerability of their work to global transformations and the challenges of an automated future.
Architect and photographer Romullo Fontenelle of FLAGRANTE studio shared with ArchDaily a series of photographs from the recently inaugurated Japan House Sao Paulo, a project by Kengo Kuma in partnership with the local office FGMF Arquitetos.
Metallic elements have been used in architecture and civil construction for hundreds of years, either as decorative elements, coverings or even to reinforce masonry structures. However, it is only in the second half of the eighteenth century that the first bridges emerge whose structure was entirely made of cast iron. A century later, iron was replaced by a more resistant and malleable alloy, still used today in architecture: steel.
Today we celebrate the 90th anniversary of Paulo Mendes da Rocha. With a unique integrity in his thinking and design, his career has already been celebrated with the highest awards an architect can receive, from the Pritzker Prize in 2006 to the 2018 Golden Lion from the Venice Biennale and the Praemium Imperiale in 2016. Here, instead of presenting his impressive projects, we have asked architects to share some of their stories, talk about his practice and how his thinking has influenced them.
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